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Beyond Blue and White

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"Delftware" brings to mind blue-and-white earthenware inspired by Chinese porcelain, but in fact, Delftware appears in a range of colors. Artists achieved colors such as blue, yellow, brown-purple, and green by adding metallic oxides to the glaze. They also developed a technique that involved firing the ceramic at a lower temperature—known by the French term petit feu (small fire)—allowing for finer painting and more subtle color variation. Colorful ornament took inspiration from earthenware produced in parts of Asia, such as Japan (dark blue, orange, and gold) and India (dense decoration in red, blue, dark green, and yellow). Lambertus van Eenhoorn, at De Metale Pot factory, was among a number of craftsmen at the forefront of these new color developments, which could even feature gold.

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Plate
Greek A Factory
around 1695-1725
Plate
Lambertus Sanderus, Proprietor, De Porceleyne Claeuw
around 1760-1790
Vase
Greek A Factory
about 1701-1722
Plate with Chinese Equestrians
Ary van Rijsselberg
around 1720-30
Plate
dated 1756
Tea canister
Lambertus van Eenhoorn, proprietor, De Metalen Pot Factory
about 1695-1720
One of a pair of chargers with basket of flowers
Artist Unidentified
about 1725-30
Plate (pannekoeck)
Pieter Adriaensz Kocks, Proprietor, Greek A factory
about 1700-1720
Pair of baluster vases and covers
Pieter Adriaensz Kocks, Proprietor, Greek A factory
about 1700-1715
2012.617.2a
Pieter Adriaensz Kocks, Proprietor, Greek A factory
about 1701-1722
Miniature shoe
Het Moriaenshooft (The Moor's Head) factory
about 1685