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Seated Giant

Seated Giant

(Spanish, 1746–1828)
by 1818
Medium/TechniqueAquatint with burnishing and scraping (first state)
DimensionsPlatemark and sheet: 28.5 x 21.0 cm (11 1/4 x 8 1/4 in.)
Credit LineKatherine E. Bullard Fund in memory of Francis Bullard
Accession number65.1296
On View
Not on view
ClassificationsPrints
ProvenanceMid-19th century, possibly Samuel Leith, Edinburgh. Nicholas Drummond, England; July 7, 1964, Nicholas Drummond and others sale, Sotheby’s, London, lot 265, to “Patch”. Private collection, Zurich. Richard H. Zinser (dealer, b. 1884 - d. 1984), Forest Hills, NY; 1965, sold by Zinser to the MFA. (Accession Date: October 13, 1965)
Con razon ó sin ella. (Rightly or Wrongly); from "Los Desastres de la Guerra" (Disasters of War), plate 2
Con razon ó sin ella. (Rightly or Wrongly); from "Los Desastres de la Guerra" (Disasters of War), plate 2
Francisco Goya y Lucientes
Drawn and etched 1811-12; published 1863
Image Not Available for Con razon ó sin ella. (Rightly or wrongly); from Los Desastres de la Guerra (The Disasters of War). plate 2, mounted in a bound album
Con razon ó sin ella. (Rightly or wrongly); from Los Desastres de la Guerra (The Disasters of War). plate 2, mounted in a bound album
Francisco Goya y Lucientes
Drawn and etched about 1811- 12; this set printed about 1862; whole series first published posthumously 1863
Infante Don Fernando (Prince of Spain) as Hunter
Infante Don Fernando (Prince of Spain) as Hunter
Francisco Goya y Lucientes
1778–79
Infante Don Fernando (Prince of Spain) as Hunter
Infante Don Fernando (Prince of Spain) as Hunter
Francisco Goya y Lucientes
1778–79
Con razon ó sin ella. (Rightly or Wrongly); from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the bloody war in Spain with Bonaparte. And other emphatic caprices [Disasters of War], plate 2
Con razon ó sin ella. (Rightly or Wrongly); from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the bloody war in Spain with Bonaparte. And other emphatic caprices [Disasters of War], plate 2
Francisco Goya y Lucientes
Drawn and etched 1811-1812, published 1863
Disparate Alegre (Merry Folly); from the "Disparates" series, (Proverbios 12)
Disparate Alegre (Merry Folly); from the "Disparates" series, (Proverbios 12)
Francisco Goya y Lucientes
1816–1819
El amor y la muerte. (Love and Death); Caprichos 10
El amor y la muerte. (Love and Death); Caprichos 10
Francisco Goya y Lucientes
1797–1799
A Bad Night (Mala noche.) Caprichos 36
A Bad Night (Mala noche.)
Caprichos 36
Francisco Goya y Lucientes
1797–1799
Can't Anyone Untie Us? (¿No hay quien nos desate?) Caprichos 75
Can't Anyone Untie Us? (¿No hay quien nos desate?)
Caprichos 75
Francisco Goya y Lucientes
1797–1799
Tristes presentimientos de lo que ha de acontecer. (Sad forebodings of what is to happen); from bound set of the first edition of "Los Desastres de la Guerra" (Disasters of War), plate 1
Tristes presentimientos de lo que ha de acontecer. (Sad forebodings of what is to happen); from bound set of the first edition of "Los Desastres de la Guerra" (Disasters of War), plate 1
Francisco Goya y Lucientes
Drawn and etched about 1813-15; published 1863
To Rise and to Fall (Subir y bajar.) Caprichos 56
To Rise and to Fall (Subir y bajar.)
Caprichos 56
Francisco Goya y Lucientes
1797–1799
Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Carlos V. lanceando un toro en la plaza de Valladolid. (Carlos V spearing a bull in the Valladolid plaza); from the series "Tauromaquia" (Bullfighting), plate 10
Francisco Goya y Lucientes
1815–16