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Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71

Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71

(Spanish, 1746–1828)
1797–98
Medium/TechniqueEtching, burnished aquatint, and burin; working proof
DimensionsPlatemark: 20.2 x 15.2 cm (7 15/16 x 6 in.)
Sheet: 32.1 x 21.7 cm (12 5/8 x 8 9/16 in.)
Credit LineMuseum purchase with funds donated by Keylitho Ltd., Montreal and by exchange from the H. E. Bolles Fund
Accession number1973.719
On View
Not on view
ClassificationsPrints
InscriptionsU.l. in red chalk: 1; u.r. in brown ink: P 71; in red chalk below platemark; Si amanece. nos vamos. Later inscriptions: u..l. in black chalk: 71; l.l.: JH 831 (chalk) ; LD. 108, [xxx], I ; K 8752 (graphite); l.r. C19946 (Colnaghi stock no.]
ProvenanceProbably Ricardo de los Rios (b. 1846–d. 1929), Paris. ? 1930 through Guiot and Colnaghi to Philip Hofer (b. 1898–d. 1984), NY; Philip Hofer and his wife, Frances L. Hofer (b. 1908–d. 1978), Cambridge, MA; 1974, sold by Mr. and Mrs. Hofer, through Robert M. Light (dealer), Boston, to the MFA. (original vote June 13, 1973)
Y aun no se van! (And still they don't go!); Caprichos 59
Y aun no se van! (And still they don't go!); Caprichos 59
Francisco Goya y Lucientes
1797–98
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucientes
Drawn and etched about 1815–16
Esto es malo. (This is bad); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 46.
Esto es malo. (This is bad); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 46.
Francisco Goya y Lucientes
Drawn and etched about 1810–14
Sanos y enfermos. (The Healthy and the Ill); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 57.
Sanos y enfermos. (The Healthy and the Ill); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 57.
Francisco Goya y Lucientes
Drawn and etched about 1812–14
No hay que dar voces. (It's no use crying out); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 58.
No hay que dar voces. (It's no use crying out); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 58.
Francisco Goya y Lucientes
Drawn and etched about 1812–14
Las camas de la muerte. (The beds of death); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 62.
Las camas de la muerte. (The beds of death); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 62.
Francisco Goya y Lucientes
Drawn and etched about 1812–14
Nada ello lo dice. (Nothing. It says as much); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 69.
Nada ello lo dice. (Nothing. It says as much); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 69.
Francisco Goya y Lucientes
Drawn and etched about 1814–15
Será lo mismo. (It will be the same); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 21.
Será lo mismo. (It will be the same); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 21.
Francisco Goya y Lucientes
Drawn and etched about 1810–14
Bien te se está. (It serves you right); from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the Bloody War in Spain Against Bonaparte [Disasters of War], plate 6.
Bien te se está. (It serves you right); from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the Bloody War in Spain Against Bonaparte [Disasters of War], plate 6.
Francisco Goya y Lucientes
Drawn and etched about 1811-12
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the bloody war in Spain with Bonaparte. And other emphatic caprices. [Disasters of War], plate 6.
Bien te se está. (It serves you right); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal Consequences of the bloody war in Spain with Bonaparte. And other emphatic caprices. [Disasters of War], plate 6.
Francisco Goya y Lucientes
Drawn and etched 1811-12
Bien tirada está. (It is nicely stretched); Caprichos 17
Bien tirada está. (It is nicely stretched); Caprichos 17
Francisco Goya y Lucientes
1797–98
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Francisco Goya y Lucientes
Drawn and etched about 1810–14