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Qué hai que hacer mas ? (What more can be done?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 33.

(Spanish, 1746–1828)
Drawn and etched about 1810–14; whole series first published posthumously 1863
Medium/TechniqueEtching, lavis, drypoint, burin, and burnishing; posthumous trial proof
DimensionsPlatemark: 15.7 x 20.7 cm (6 3/16 x 8 1/8 in.)
Sheet: 26 x 35 cm (10 1/4 x 13 3/4 in.)
Credit LineMuseum purchase with funds by exchange from the bequest of W. G. Russell Allen
Accession number1973.732.33
On View
Not on view
ClassificationsPrints
InscriptionsEngraved, u.l., 33; u.r. within pm. in graphite: 33; l.l., engraved, but uninked, 42; b.c. outside pm. in graphite: qué hay qué hacer mas?
ProvenanceCharles Blanc; bought for 20 pounds from Colnaghi, April 1863 by William Stirling, Keir (later Stirling-Maxwell); Archibald Stirling; Mr. and Mrs. Philip Hofer, Cambridge, MA; purchased from R. M. Light, Boston, June 12, 1974 (original vote June 13, 1973).
Estragos de la Guerra. (Ravages of War); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 30.
Francisco Goya y Lucientes
Drawn and etched about 1811–12; whole series first published posthumously 1863
Amarga presencia. (Bitter presence); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 13.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Dura es el paso! (It's a hard step!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 14.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Enterrar y callar. (Bury them and keep quiet); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 18.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Con razon ó sin ella. (Rightly or wrongly); from Los Desastres de la Guerra (The Disasters of War). plate 2, mounted in a bound album
Francisco Goya y Lucientes
Drawn and etched about 1811- 12; this set printed about 1862; whole series first published posthumously 1863
Lo mismo. (Likewise); from Los Desastres de la Guerra (The Disasters of War), plate 3, mounted in a bound album
Francisco Goya y Lucientes
Drawn and etched 1811-12; posthumous impression, 1862
No se puede mirar. (One can't look); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 26.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Caridad. (Charity); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 27.
Francisco Goya y Lucientes
Drawn and etched 1810; whole series first published posthumously 1863
Por qué ? (Why?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 32.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Esto es malo. (This is bad); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 46.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Así sucedió. (This is how it happened); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 47.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863