Settee
about 1730–40, with later alterations
Medium/TechniqueBeechwood; 18th-century tapestry-woven upholstery
DimensionsOverall: 112.6 x 202.6 x 91.5 cm (44 5/16 x 79 3/4 x 36 in.)
Credit LineBequest of Forsyth Wickes—The Forsyth Wickes Collection
Accession number65.2499
On View
Not on viewClassificationsFurniture
Collections
NOTES:
[1] A suite of French furniture, including a settee and eight arm chairs covered with tapestry illustrating the Fables of La Fontaine, were included in the Loan Exhibition of French Furniture and Furnishings Including Tapestries (Cincinnati Art Museum, March 1-16, 1919), cat. no. 9. No lender is given in the catalogue. These are said to be identical to the suite now at the MFA (accession nos. 65.2493-65.2499, including 6 chairs rather than 8) on the bills of sale from Basil Dighton to Forsyth Wickes.
[2] George Leland Hunter, The Practical Book of Tapestries (Philadelphia and London, 1925), illustrates the settee and one of the chairs from the MFA suite (plates XXe and XXf), then in the possession of the dealer Duveen.
[3] That the chairs and settee belonged to Clarence Mackay is according to the bills of sale from Basil Dighton. They may be the 18th century French sofa and chairs "carved and gilded, covered with tapestry" that are listed in an inventory and an appraisal of the Mackay collection around 1939 (Archives of American Art, Seligmann papers, Series 2, Collectors files: Mackay Collection. Box 238, folder 6: 1939 inventory and Box 240, folder 6: Insurance lists, 1939).
[4] Forsyth Wickes purchased the chairs in the suite (MFA accession nos. 65.2493-65.2498), from Basil Dighton between 1946 and 1947, and almost certainly purchased the settee at the same time.
about 1730–40
about 1730–40
about 1730–40
about 1730–40
about 1730–40
about 1730–40
1710–1730
about 1770–75
about 1750–60
about 1740–50