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Seated Nude

Seated Nude

George Demetrios (American (born in Greece), 1896–1974)
1916–74
Medium/TechniqueCarbon pencil on paper
Dimensions29.8 x 22.2cm (11 3/4 x 8 3/4in.)
Credit LineGift from the George Demetrios Trust
Accession number1978.9
On View
Not on view
ClassificationsDrawings
ProvenanceGeorge Demetrios Trust; gift to MFA, January 1978.
Image Not Available for Michael
Michael
George Demetrios
about 1948
Gray (Carolyn May)
Gray (Carolyn May)
Sigmund Abeles
1970
[Old Man Writing] Mucho sabes y aun aprendes (You Know a Lot and You're Still Learning); Sheet 15 from Album E (Black Border Album)
[Old Man Writing] Mucho sabes y aun aprendes (You Know a Lot and You're Still Learning); Sheet 15 from Album E (Black Border Album)
Francisco Goya y Lucientes
1814-19
Conservation Status: After Treatment
Young Woman Reclining on a Bed, Attended by Two Old Women, Double-sided drawing from Album A (Sanlúcar Sketchbook), l (verso of k)
Francisco Goya y Lucientes
1793–1796
Good Priest, Where Was It Celebrated? (Buen sacerdote, ¿donde se ha celebrado?) {Man Pulling Up his Breeches] Album B, 86 (verso of double-sided drawing)
Good Priest, Where Was It Celebrated? (Buen sacerdote, ¿donde se ha celebrado?) {Man Pulling Up his Breeches]
Album B, 86 (verso of double-sided drawing)
Francisco Goya y Lucientes
1794–97
Conservation Status: After Treatment
Two Nude Young Women on a Bed (recto of double-sided drawing from Album A (Sanlúcar Sketchbook)
Francisco Goya y Lucientes
1793–1796
Restricted: For reference only
Petunia Planes
Blanche Lazzell
1952
La madre Celestina (Mother Celestina); Sheet 22 from Album D (Witches and Old Women Album)
La madre Celestina (Mother Celestina); Sheet 22 from Album D (Witches and Old Women Album)
Francisco Goya y Lucientes
1819–23
La resignacìon (Resignation); Sheet 33 Album E (Black Border Album 33)
La resignacìon (Resignation); Sheet 33 Album E (Black Border Album 33)
Francisco Goya y Lucientes
1816–20
Woman Holding Up Her Dying Lover, Doouble-sided drawing from Album B (Madrid Sketchbook, 35 (recto of 36) On verso: Couple Conversing on the Paseo
Woman Holding Up Her Dying Lover,
Doouble-sided drawing from Album B (Madrid Sketchbook, 35 (recto of 36)
On verso: Couple Conversing on the Paseo
Francisco Goya y Lucientes
1794–97
Bearded Woman With Child. Esta Muger fue retratada en Napoles por José Ribera o el Españoleto, por los años de 1640 (This Woman Was Painted in Naples by Jusepe Ribera, called lo Spagnoletto, about the year 1640). Album E (Black Border Album), number indecipherable [7 ?]
Bearded Woman With Child. Esta Muger fue retratada en Napoles por José Ribera o el Españoleto, por los años de 1640 (This Woman Was Painted in Naples by Jusepe Ribera, called lo Spagnoletto, about the year 1640).
Album E (Black Border Album), number indecipherable [7 ?]
Francisco Goya y Lucientes
1816–20
It is summer and by moonlight they take the air and get rid of their fleas by touch. (Es herano y a la luna, toman el fresco, y se espulgan / al tiento) [Three Figures Seated at an Open Window] Double-sided drawing in Album B (Madrid Sketchbook) No. 85;, on verso B 86 :"Buen Sacerdote..." (Good Priest....)
It is summer and by moonlight they take the air and get rid of their fleas by touch. (Es herano y a la luna, toman el fresco, y se espulgan / al tiento)
[Three Figures Seated at an Open Window]
Double-sided drawing in Album B (Madrid Sketchbook) No. 85;, on verso B 86 :"Buen Sacerdote..." (Good Priest....)
Francisco Goya y Lucientes
1794–97