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Image Not Available for A caza de dientes. (Out Hunting for Teeth) Caprichos, 12

A caza de dientes. (Out Hunting for Teeth) Caprichos, 12

(Spanish, 1746–1828)
Medium/TechniqueEtching and burnished aquatint (drawn and etched 1797–1798; first published 1799); black ink, clean-wiped
Dimensions21.9 x 15.3 cm (8 5/8 x 6 in.)
Credit LineGift of Sandra Garson
Accession number1993.146
On View
Not on view
ClassificationsPrints
InscriptionsEngraved u.r. "12"; b.c. "A caza de dientes."
Image Not Available for La rinde el Sueno. (Sleep overcomes them.) Caprichos, 34.
La rinde el Sueno. (Sleep overcomes them.) Caprichos, 34.
Francisco Goya y Lucientes
1799
Image Not Available for El amor y la muerte (Love and Death), Caprichos 10
El amor y la muerte (Love and Death), Caprichos 10
Francisco Goya y Lucientes
published 1799, printed about 1830-60
Guitarist Among a Background of Demons
Guitarist Among a Background of Demons
Francisco Goya y Lucientes
Drawn and etched 1824–28; printed by 1890
Page 77
Los Caprichos
Francisco Goya y Lucientes
Drawn and etched, 1797–98; published 1799
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Dios la Perdone: Y era su madre. (For heaven's sake, and it was her mother); Plate 16 bound into "Los Caprichos"
Dios la Perdone: Y era su madre. (For heaven's sake, and it was her mother); Plate 16 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ysele quema la Casa. (And his house is on fire); Plate 18 bound into "Los Caprichos"
Ysele quema la Casa. (And his house is on fire); Plate 18 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Todos Caerán. (All will fall); Plate 19 bound into "Los Caprichos"
Todos Caerán. (All will fall); Plate 19 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ya van desplumados. (There they go plucked (i.e. fleeced); Plate 20 bound into "Los Caprichos"
Ya van desplumados. (There they go plucked (i.e. fleeced); Plate 20 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799