Skip to main content
Advanced Search
Ice Skaters, from Album F (Images of Spain Album), 30

Ice Skaters, from Album F (Images of Spain Album), 30

(Spanish, 1746–1828)
1812–20
Medium/TechniqueBrush and iron gall ink with wash over a few red and black crayon sketch lines on cream laid paper; scraping; full pink paper mount
DimensionsSheet and mount: 20.7 x 14.3cm (8 1/8 x 5 5/8in.)
Credit LineOtis Norcross Fund and Gift of Mrs. Thomas B. Card
Accession number61.166
On View
Not on view
ClassificationsDrawings
InscriptionsUpper center in iron gall ink: 47.( by Madrazo,Album II); upper right in iron gall ink: 30 [and partial] 4 [residual]; ; L.r. corner in brown ink wash: 60 or GOY [?] (not typical signature) ; Verso: inscribed in graphite: 79 / les patineurs [in another hand]
Provenance1828, by inheritance from the artist to his son, Javier Goya y Bayeu (b. 1784–d. 1854), Madrid; 1854, by inheritance to his son, Mariano Goya y Goicoechea (b. 1806–d. 1874), Madrid; about 1855–60, sold by Mariano Goya to Federico de Madrazo y Kuntz (b. 1815–d. 1894), Madrid, and/or his brother-in-law Román Garreta y Huerta; Paris; April 3, 1877, Paul Lebas (probably acting on behalf of Madrazo) sale, "105 Dessins par Francisco Goya," Hôtel Drouot, Paris, lot 29 (as "Les Patineurs"), to Baron Maurice Alfred Martin de Beurnonville (b. 1826–d. 1895) for fr. 100; February 16–19, 1885, Beurnonville sale, Hôtel Drouot, Paris, part of lot 49, to Émile Louis Dominique Calando (b. 1840–d. 1898), Paris. 1961, sold by César Mange de Hauke (dealer, b. 1900–d. 1965), Paris, to the MFA. (Accession Date: March 8, 1961)
[Old Man Writing] Mucho sabes y aun aprendes (You Know a Lot and You're Still Learning); Sheet 15 from Album E (Black Border Album)
[Old Man Writing] Mucho sabes y aun aprendes (You Know a Lot and You're Still Learning); Sheet 15 from Album E (Black Border Album)
Francisco Goya y Lucientes
1814-19
Two Men Fighting (Sheet 73 from Album F (Images of Spain Album)
Two Men Fighting (Sheet 73 from Album F (Images of Spain Album)
Francisco Goya y Lucientes
1812–20
Woman Holding Up Her Dying Lover, Doouble-sided drawing from Album B (Madrid Sketchbook, 35 (recto of 36) On verso: Couple Conversing on the Paseo
Woman Holding Up Her Dying Lover,
Doouble-sided drawing from Album B (Madrid Sketchbook, 35 (recto of 36)
On verso: Couple Conversing on the Paseo
Francisco Goya y Lucientes
1794–97
It is summer and by moonlight they take the air and get rid of their fleas by touch. (Es herano y a la luna, toman el fresco, y se espulgan / al tiento) [Three Figures Seated at an Open Window] Double-sided drawing in Album B (Madrid Sketchbook) No. 85;, on verso B 86 :"Buen Sacerdote..." (Good Priest....)
It is summer and by moonlight they take the air and get rid of their fleas by touch. (Es herano y a la luna, toman el fresco, y se espulgan / al tiento)
[Three Figures Seated at an Open Window]
Double-sided drawing in Album B (Madrid Sketchbook) No. 85;, on verso B 86 :"Buen Sacerdote..." (Good Priest....)
Francisco Goya y Lucientes
1794–97
Couple Conversing on the Paseo (page 36, verso of double-sided drawing from the Madrid Sketchbook (Journal-Album B)
Couple Conversing on the Paseo (page 36, verso of double-sided drawing from the Madrid Sketchbook (Journal-Album B)
Francisco Goya y Lucientes
1794–97
Diligencias nuebas o sillas de es paldas (New stage coaches or shoulder chairs), Sheet 24 from Album G (Bordeaux Album I)
Diligencias nuebas o sillas de es paldas (New stage coaches or shoulder chairs), Sheet 24 from Album G (Bordeaux Album I)
Francisco Goya y Lucientes
1824–28
La resignacìon (Resignation); Sheet 33 Album E (Black Border Album 33)
La resignacìon (Resignation); Sheet 33 Album E (Black Border Album 33)
Francisco Goya y Lucientes
1816–20
Bearded Woman With Child. Esta Muger fue retratada en Napoles por José Ribera o el Españoleto, por los años de 1640 (This Woman Was Painted in Naples by Jusepe Ribera, called lo Spagnoletto, about the year 1640). Album E (Black Border Album), number indecipherable [7 ?]
Bearded Woman With Child. Esta Muger fue retratada en Napoles por José Ribera o el Españoleto, por los años de 1640 (This Woman Was Painted in Naples by Jusepe Ribera, called lo Spagnoletto, about the year 1640).
Album E (Black Border Album), number indecipherable [7 ?]
Francisco Goya y Lucientes
1816–20
La madre Celestina (Mother Celestina); Sheet 22 from Album D (Witches and Old Women Album)
La madre Celestina (Mother Celestina); Sheet 22 from Album D (Witches and Old Women Album)
Francisco Goya y Lucientes
1819–23
Conservation Status: After Treatment
Young Woman Reclining on a Bed, Attended by Two Old Women, Double-sided drawing from Album A (Sanlúcar Sketchbook), l (verso of k)
Francisco Goya y Lucientes
1793–1796
Good Priest, Where Was It Celebrated? (Buen sacerdote, ¿donde se ha celebrado?) {Man Pulling Up his Breeches] Album B, 86 (verso of double-sided drawing)
Good Priest, Where Was It Celebrated? (Buen sacerdote, ¿donde se ha celebrado?) {Man Pulling Up his Breeches]
Album B, 86 (verso of double-sided drawing)
Francisco Goya y Lucientes
1794–97
Conservation Status: After Treatment
Two Nude Young Women on a Bed (recto of double-sided drawing from Album A (Sanlúcar Sketchbook)
Francisco Goya y Lucientes
1793–1796