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Path in the Bois de Boulogne

1858
Medium/TechniquePhotograph, albumen print from wet-collodion-on-glass negative
DimensionsSheet: 26.9 x 36.51 cm (10 9/16 x 14 3/8 in.)
Credit LineSophie M. Friedman Fund
Accession number1984.54
On View
Not on view
ClassificationsPhotographs
Description
Trained as an artist, Charles Marville's career followed a commercial path. After youthful beginnings as an illustrator, by 1850 he had become a photographer specializing in landscape and architectural views. His work earned him important government commissions to record the transformation of the city of Paris that began in the 1850s. For his documentary series on the newly redesigned Bois de Boulogne Marville made use of the glass negative technique. As seen in this crisp rendition of a woodland path in the new park, such clear and detailed records  were windows onto the artful design of the planned landscape, an urban forest playground for the citizens of the new Paris.
ProvenanceRobert Hershkowitz, London, England; purchased by MFA from Hershkowitz February 1984.
Restricted: For reference only
Charles Marville (born Charles François Bossu)
1855–56
Ruines de St. Verner et Eglise de Bacharah
Charles Marville (born Charles François Bossu)
Church Interior
Charles Marville (born Charles François Bossu)
1860–70
Forest Scene, Fontainebleau
Charles Marville (born Charles François Bossu)
1850s
Entrance to the Chateau de Bagatelle, Paris
Charles Marville (born Charles François Bossu)
1858–62
Au Siège de Sebastopol (Rue de la Monnaie from the Rue de Rivoli)
Charles Marville (born Charles François Bossu)
1865–66
Charles Hippolyte Aubry
about 1864
Yews, Merrow Decorus, Surrey
Charles Thurston Thompson
1856
Three Pipers (Trois Pifferari)
Charles Nègre
about 1853–54
Église Saint-Gervais, Paris
Charles-Henri Plaut
1852
Restricted: For reference only
Louis François Saugrin
about 1862
Man in Arab Costume with Sword
Franc (François?) Chauvassaignes
about 1855–57