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Single White Camellia / Single Red Camellia, from Samuel Curtis, A Monograph on the Genus Camellia

Single White Camellia / Single Red Camellia, from Samuel Curtis, A Monograph on the Genus Camellia

(English, active 1816–1819)
(English, about 1768–1838)
(English, 1779–1860)
(English, 19th century)
1819
Medium/TechniqueAquatint, hand colored
DimensionsPlatemark: 57.8 x 46.6 cm (22 3/4 x 18 3/8 in.)
Credit LineBequest of Katharine Lane Weems
Accession number1989.656b
On View
Not on view
ClassificationsPrints
ProvenancePen and brown ink inscription on upper cover label: "Presented by Robert Barclay, Esq: F. [H.?] S., December 18th, 1821"; Katharine Lane Weems, by whom bequeathed to MFA, November 29, 1989.
Buff, or Humes Blush Camellia / Myrtle-leaved Camellia, from Samuel Curtis, A Monograph on the Genus Camellia
Buff, or Humes Blush Camellia / Myrtle-leaved Camellia, from Samuel Curtis, A Monograph on the Genus Camellia
Weddell
1819
Image Not Available for Double White Camellia / Double Striped Camellia, from Samuel Curtis, A Monograph on the Genus Camellia
Double White Camellia / Double Striped Camellia, from Samuel Curtis, A Monograph on the Genus Camellia
Weddell
1819
Anemone flower'd, or Waratah Camellia / Rose color'd, or Middlemists Camellia, from Samuel Curtis, A Monograph on the Genus Camellia
Anemone flower'd, or Waratah Camellia / Rose color'd, or Middlemists Camellia, from Samuel Curtis, A Monograph on the Genus Camellia
Weddell
1819
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Street Scene
Street Scene
Lester Johnson
1976
Que viene el Coco. (The bogeyman is coming); Plate 3 bound into "Los Caprichos"
Que viene el Coco. (The bogeyman is coming); Plate 3 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
El de la rollona (Nanny's Boy); Plate 4 bound into "Los Caprichos"
El de la rollona (Nanny's Boy); Plate 4 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tal para qual. (Two of a Kind); Plate 5 bound into "Los Caprichos"
Tal para qual. (Two of a Kind); Plate 5 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Ni asi la disintingue. (He cannot make her out even this way); Plate 7 bound into "Los Caprichos"
Ni asi la disintingue. (He cannot make her out even this way); Plate 7 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799