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Woman with Clothes Blowing in the Wind

Woman with Clothes Blowing in the Wind

(Spanish, 1746–1828)
1824–25
Medium/TechniqueCarbon black wash, with watercolor and scratching, on ivory
DimensionsOverall: 9 x 9.5 cm (3 9/16 x 3 3/4 in.)
Framed: 16.5 x 16.5 x 2.5 cm (6 1/2 x 6 1/2 x 1 in.)
Credit LineBequest of Pamela Askew
Accession number1998.110
On View
Not on view
ClassificationsWatercolors
ProvenancePrivate collection, Paris; February 22, 1937, anonymous sale, Hôtel Drouot, Paris, lot 56–61. 1938, Tomás Harris (b. 1908–d. 1964), London. By 1941, Durlacher Brothers, New York; to Ralph Kirk Askew (owner of Durlacher; b. 1903–d. 1974) and his wife, Constance Atwood Askew, New York; by inheritance to their daughter, Pamela Askew (b. 1925–d. 1997), New York; 1998, bequest of Pamela Askew to the MFA. Bequest June 24, 1998
Boy Staring at an Apparition
Boy Staring at an Apparition
Francisco Goya y Lucientes
1824–25
Nude Woman Reclining Against a Rock
Nude Woman Reclining Against a Rock
Francisco Goya y Lucientes
1824–25
Man looking for fleas in his shirt
Man looking for fleas in his shirt
Francisco Goya y Lucientes
1824–25
[Old Man Writing] Mucho sabes y aun aprendes (You Know a Lot and You're Still Learning); Sheet 15 from Album E (Black Border Album)
[Old Man Writing] Mucho sabes y aun aprendes (You Know a Lot and You're Still Learning); Sheet 15 from Album E (Black Border Album)
Francisco Goya y Lucientes
1814-19
Will She Rise Again? (Se resucitará?) Disasters of War 80
Will She Rise Again? (Se resucitará?)
Disasters of War 80
Francisco Goya y Lucientes
1813–1814
La resignacìon (Resignation); Sheet 33 Album E (Black Border Album 33)
La resignacìon (Resignation); Sheet 33 Album E (Black Border Album 33)
Francisco Goya y Lucientes
1816–20
Woman Holding Up Her Dying Lover, Doouble-sided drawing from Album B (Madrid Sketchbook, 35 (recto of 36) On verso: Couple Conversing on the Paseo
Woman Holding Up Her Dying Lover,
Doouble-sided drawing from Album B (Madrid Sketchbook, 35 (recto of 36)
On verso: Couple Conversing on the Paseo
Francisco Goya y Lucientes
1794–97
Bearded Woman With Child. Esta Muger fue retratada en Napoles por José Ribera o el Españoleto, por los años de 1640 (This Woman Was Painted in Naples by Jusepe Ribera, called lo Spagnoletto, about the year 1640). Album E (Black Border Album), number indecipherable [7 ?]
Bearded Woman With Child. Esta Muger fue retratada en Napoles por José Ribera o el Españoleto, por los años de 1640 (This Woman Was Painted in Naples by Jusepe Ribera, called lo Spagnoletto, about the year 1640).
Album E (Black Border Album), number indecipherable [7 ?]
Francisco Goya y Lucientes
1816–20
It is summer and by moonlight they take the air and get rid of their fleas by touch. (Es herano y a la luna, toman el fresco, y se espulgan / al tiento) [Three Figures Seated at an Open Window] Double-sided drawing in Album B (Madrid Sketchbook) No. 85;, on verso B 86 :"Buen Sacerdote..." (Good Priest....)
It is summer and by moonlight they take the air and get rid of their fleas by touch. (Es herano y a la luna, toman el fresco, y se espulgan / al tiento)
[Three Figures Seated at an Open Window]
Double-sided drawing in Album B (Madrid Sketchbook) No. 85;, on verso B 86 :"Buen Sacerdote..." (Good Priest....)
Francisco Goya y Lucientes
1794–97
La madre Celestina (Mother Celestina); Sheet 22 from Album D (Witches and Old Women Album)
La madre Celestina (Mother Celestina); Sheet 22 from Album D (Witches and Old Women Album)
Francisco Goya y Lucientes
1819–23
Conservation Status: After Treatment
Young Woman Reclining on a Bed, Attended by Two Old Women, Double-sided drawing from Album A (Sanlúcar Sketchbook), l (verso of k)
Francisco Goya y Lucientes
1793–1796
Good Priest, Where Was It Celebrated? (Buen sacerdote, ¿donde se ha celebrado?) {Man Pulling Up his Breeches] Album B, 86 (verso of double-sided drawing)
Good Priest, Where Was It Celebrated? (Buen sacerdote, ¿donde se ha celebrado?) {Man Pulling Up his Breeches]
Album B, 86 (verso of double-sided drawing)
Francisco Goya y Lucientes
1794–97