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The Paris Review

(American (born in Spain), 1903–2001)
1964–65
Medium/TechniqueSilkscreen
Dimensions102 x 66.5 cm (40 3/16 x 26 3/16 in.)
Credit LineGift of Neville A. Powers
Accession number1981.690
On View
Not on view
ClassificationsPrints
InscriptionsSigned and numbered in pencil Silkscreen 29/100 Later inscriptions or marks: signature | on recto | | LL "29/150 Esteban Vicente" in pencil
ProvenanceNeville A. Powers, MA, from whom acquired as a year end gift, Dec. 1981, ratified by vote of the Collection's Committee, January 13, 1982.
CopyrightEstate of Esteban Vicente
Untitled
Esteban Vicente
1968
Crucifixion
Crucifixion
Bartolomé Esteban Murillo
undated
A Scene from the Life of Saint Francis Solano (recto); Studies for the Figures of Saint Francis Solano and San Salvador (verso)
A Scene from the Life of Saint Francis Solano (recto); Studies for the Figures of Saint Francis Solano and San Salvador (verso)
Bartolomé Esteban Murillo
late 17th century
L'Immaculée Conception. Murillo, PARIS The Immaculate Conception. Murillo, Louvre, Paris
L'Immaculée Conception. Murillo, PARIS The Immaculate Conception. Murillo, Louvre, Paris
Bartolomé Esteban Murillo
before 1905
Christ after the Flagellation
Christ after the Flagellation
Bartolomé Esteban Murillo
after 1665
The Young Christ as the Good Shepherd
The Young Christ as the Good Shepherd
Bartolomé Esteban Murillo
Las Ventas #3
Las Ventas #3
Esteban Pastorino Diaz
2006
Booster
Booster
Robert Rauschenberg
1967
Restricted
Reflector
Brendan Neiland
1973
SII 14-C
Yvonne Kracht
1970
Trellis 1
William Tillyer
1973
Presto
Presto
Jane Hammond
1991