Skip to main content
Advanced Search
Correcion. (Correction); Plate 46 bound into "Los Caprichos"
Correcion. (Correction); Plate 46 bound into "Los Caprichos"

Correcion. (Correction); Plate 46 bound into "Los Caprichos"

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched 1797–98, published 1799
Medium/TechniqueEtching, burnished aquatint, and drypoint; pre-publication impression
DimensionsPlatemark: 21.7 x 15 cm (8 9/16 x 5 7/8 in.)
Sheet: 30.0 x 20.0 cm (11 13/16 x 7 7/8 in.)
Credit LineBequest of William Perkins Babcock
Accession numberB4165.46
On View
Not on view
ClassificationsPrints
ProvenanceWilliam P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Caprichos"
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ya van despumados. (There they go plucked(ie fleeced); Plate 20 bound into "Los Caprichos"
Ya van despumados. (There they go plucked(ie fleeced); Plate 20 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Esto si que es leer. (That certainly is being able to read); Plate 29 bound into "Los Caprichos"
Esto si que es leer. (That certainly is being able to read); Plate 29 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Porque esconderlos? (Why hide them?); Plate 30 bound into "Los Caprichos"
Porque esconderlos? (Why hide them?); Plate 30 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ruega por ella. (She prays for her); Plate 31 bound into "Los Caprichos"
Ruega por ella. (She prays for her); Plate 31 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Al Conde Palatino. (To the Count Palatine); Plate 33 bound into "Los Caprichos"
Al Conde Palatino. (To the Count Palatine); Plate 33 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Brabisimo! (Bravissimo!); Plate 38 bound into "Los Caprichos"
Brabisimo! (Bravissimo!); Plate 38 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ni mas ni menos. (Neither more nor less); Plate 41 bound into "Los Caprichos"
Ni mas ni menos. (Neither more nor less); Plate 41 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
El sueño de la razon produce monstruos. (The sleep of reason produces monsters); Plate 43 bound into "Los Caprichos"
El sueño de la razon produce monstruos. (The sleep of reason produces monsters); Plate 43 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Lo que puede un Sastre! (What a tailor can do!); Plate 52 bound into "Los Caprichos"
Lo que puede un Sastre! (What a tailor can do!); Plate 52 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Hasta la muerte. (Until Death); Plate 55 bound into "Los Caprichos"
Hasta la muerte. (Until Death); Plate 55 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799