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Los Chinchillas. (The Chinchillas); Plate 50 bound into "Los Caprichos"
Los Chinchillas. (The Chinchillas); Plate 50 bound into "Los Caprichos"

Los Chinchillas. (The Chinchillas); Plate 50 bound into "Los Caprichos"

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched 1797–98, published 1799
Medium/TechniqueEtching, burnished aquatint, and burin; pre-publication impression
DimensionsPlatemark: 20.7 x 15.1 cm (8 1/8 x 5 15/16 in.)
Sheet: 30.0 x 20.0 cm (11 13/16 x 7 7/8 in.)
Credit LineBequest of William Perkins Babcock
Accession numberB4165.50
On View
Not on view
ClassificationsPrints
ProvenanceWilliam P. Babcock (1826-1899, born in Boston, lived in Paris, Lugt 207); acquired by bequest to the MFA, 12 June 1900.
El amor y la muerte. (Love and Death); Plate 10 bound into the " Caprichos"
El amor y la muerte. (Love and Death); Plate 10 bound into the " Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Bellas Consejos. (Fine advice); Plate 15 bound into "Los Caprichos"
Bellas Consejos. (Fine advice); Plate 15 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ruega por ella. (She prays for her); Plate 31 bound into "Los Caprichos"
Ruega por ella. (She prays for her); Plate 31 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Si sabrá mas el discipulo? (Might not the pupil know more?); Plate 37 bound into "Los Caprichos"
Si sabrá mas el discipulo? (Might not the pupil know more?); Plate 37 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Ni mas ni menos. (Neither more nor less); Plate 41 bound into "Los Caprichos"
Ni mas ni menos. (Neither more nor less); Plate 41 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Obsequio á el maestro. (A gift for the master); Plate 47 bound into "Los Caprichos"
Obsequio á el maestro. (A gift for the master); Plate 47 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Se repulen. (They spruce themselves up); Plate 51 bound into "Los Caprichos"
Se repulen. (They spruce themselves up); Plate 51 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Lo que puede un Sastre! (What a tailor can do!); Plate 52 bound into "Los Caprichos"
Lo que puede un Sastre! (What a tailor can do!); Plate 52 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Que pico de Oro! (What a golden beak!); Plate 53 bound into "Los Caprichos"
Que pico de Oro! (What a golden beak!); Plate 53 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799
Y aun no se van! (And still they don't go!); Plate 59 bound into "Los Caprichos"
Y aun no se van! (And still they don't go!); Plate 59 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98, published 1799