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Tanto y más. (All this and more); from "Los Desastres de la Guerra" (Disasters of War), plate 22

(Spanish, 1746–1828)
Etched 1810; published 1863
Medium/TechniqueEtching, lavis, and burin; posthumous first edition
DimensionsPlatemark: 16.2 x 25.3 cm (6 3/8 x 9 15/16 in.)
Sheet: 24.5 x 33.5 cm (9 5/8 x 13 3/16 in.)
Credit LineHarvey D. Parker Collection—Harvey Drury Parker Fund, by exchange
Accession numberM21914.22
On View
Not on view
ClassificationsPrints
InscriptionsEngraved l.l.: Goya 1810; u.l., engraved 22; l.l. engraved, 7; posthumously engraved, b.c., Tanto y más.
ProvenancePurchased 6/1/1911
Lo mismo. (Likewise); from "Los Desastres de la Guerra" (Disasters of War), plate 3  (bound set)
Francisco Goya y Lucientes
Drawn and etched about 1811-12; published 1863
Francisco Goya y Lucientes
Drawn and etched 1815–17; published 1864
Francisco Goya y Lucientes
Drawn and etched 1815–17; published 1864
Bien te se está. (It serves you right); from "Los Desastres de la Guerra" (Disasters of War), plate 6
Francisco Goya y Lucientes
Drawn and etched about 1811-12; published 1863
Ni por esas. (Neither do these); from "Los Desastres de la Guerra" (Disasters of War), plate 11
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Amarga presencia. (Bitter presence); from "Los Desastres de la Guerra" (Disasters of War), plate 13
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Dura es el paso! (It's a Hard Step!); from "Los Desastres de la Guerra" (Disasters of War), plate 14
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Se aprovechan. (They take advantage); from "Los Desastres de la Guerra" (Disasters of War), plate 16
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
No se convienen. (They do not agree); from "Los Desastres de la Guerra" (Disasters of War), plate 17
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863