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De qué sirve una taza? (Of what use is a cup?); from "Los Desastres de la Guerra" (Disasters of War), plate 59

De qué sirve una taza? (Of what use is a cup?); from "Los Desastres de la Guerra" (Disasters of War), plate 59

(Spanish, 1746–1828)
Drawn and etched about 1812–14; published 1863
Medium/TechniqueEtching, burnished aquatint, and lavis; posthumous first edition
DimensionsPlatemark: 15.7 x 20.7 cm (6 3/16 x 8 1/8 in.)
Sheet: 24.5 x 33.5 cm (9 5/8 x 13 3/16 in.)
Credit LineHarvey D. Parker Collection—Harvey Drury Parker Fund, by exchange
Accession numberM21914.59
On View
Not on view
ClassificationsPrints
ProvenancePurchased 6/1/1911
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Image Not Available for Disparate Claro (Evident Folly); from the "Disparates" series, plate 15
Disparate Claro (Evident Folly); from the "Disparates" series, plate 15
Francisco Goya y Lucientes
Drawn and etched 1816-19 published 1864
Las mugeres dan valor. (The women give courage); from "Los Desastres de la Guerra" (Disasters of War), plate 4 (bound set)
Las mugeres dan valor. (The women give courage); from "Los Desastres de la Guerra" (Disasters of War), plate 4 (bound set)
Francisco Goya y Lucientes
Drawn and etched about 1811-12; published 1863
Image Not Available for Soldiers Frightened by a Phantom [Disparate de Miedo] (Fearful Folly); from the "Disparates" series, plate 2
Soldiers Frightened by a Phantom [Disparate de Miedo] (Fearful Folly); from the "Disparates" series, plate 2
Francisco Goya y Lucientes
Drawn and etched 1815–17; published 1864
Image Not Available for Giant; from the "Disparates" series, plate 4
Giant; from the "Disparates" series, plate 4
Francisco Goya y Lucientes
Drawn and etched 1815–17; published 1864
Image Not Available for Woman Carried off by a Horse; from the "Disparates" series, plate 10
Woman Carried off by a Horse; from the "Disparates" series, plate 10
Francisco Goya y Lucientes
Drawn and etched 1815–17; published 1864
Image Not Available for Disparate Pobre (Poor Folly); from the "Disparates" series, plate 11
Disparate Pobre (Poor Folly); from the "Disparates" series, plate 11
Francisco Goya y Lucientes
Drawn and etched 1815–17; published 1864
Esto es malo. (This is bad); from "Los Desastres de la Guerra" (Disasters of War), plate 46
Esto es malo. (This is bad); from "Los Desastres de la Guerra" (Disasters of War), plate 46
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Espiró sin remedio. (There was nothing to be done and he died); from "Los Desastres de la Guerra" (Disasters of War), plate 53
Espiró sin remedio. (There was nothing to be done and he died); from "Los Desastres de la Guerra" (Disasters of War), plate 53
Francisco Goya y Lucientes
Drawn and etched about 1812–14; published 1863
Nada. Ello dirá. [Nada ello lo dice.] (Nothing. It says as much); from "Los Desastres de la Guerra" (Disasters of War), plate 69 (one of the "caprichos enfáticos")
Nada. Ello dirá. [Nada ello lo dice.] (Nothing. It says as much); from "Los Desastres de la Guerra" (Disasters of War), plate 69 (one of the "caprichos enfáticos")
Francisco Goya y Lucientes
Drawn and etched about 1814–15; published 1863
Farándula de charlatanes. (Charlatans' Show); from "Los Desastres de la Guerra" (Disasters of War), plate 75 (one of the "caprichos enfáticos")
Farándula de charlatanes. (Charlatans' Show); from "Los Desastres de la Guerra" (Disasters of War), plate 75 (one of the "caprichos enfáticos")
Francisco Goya y Lucientes
Drawn and etched about 1814–15; published 1863
Que se rompe la cuerda. (The rope is fraying); from "Los Desastres de la Guerra" (Disasters of War), plate 77 (one of the "caprichos enfáticos")
Que se rompe la cuerda. (The rope is fraying); from "Los Desastres de la Guerra" (Disasters of War), plate 77 (one of the "caprichos enfáticos")
Francisco Goya y Lucientes
Drawn and etched about 1814–15; published 1863