Skip to main content

The Entombment of Christ

(Italian (Neapolitan), 1634–1705)
Medium/TechniqueOil on canvas
Dimensions68.9 x 80 cm (27 1/8 x 31 1/2 in.)
Credit LineBequest of Ernest Wadsworth Longfellow
Accession number23.459
On View
Not on view
ClassificationsPaintings
Collections
ProvenanceNovember 22, 1821, sold by Blake and Cunningham, Boston, after being exhibited at Doggett's Repository of Arts, Boston, cat. no. 6 [see note 1]. By 1841 until at least 1847, the Boston Museum and Gallery of Fine Arts, Boston [see note 2]. By 1880, Thomas Gold Appleton (b. 1812 - d. 1884), Boston [see note 3]; by descent to his nephew, Ernest Wadsworth Longfellow (b. 1845 - d. 1921), Boston; 1923, bequest of Ernest Wadsworth Longfellow to the MFA. (Accession Date: November 1, 1923)

NOTES:
[1] Probably the painting described as by Bassan[o], "Taking Down from the Cross," which was exhibited at Doggett's and then sold through Blake and Cunningham. [2] When the painting entered the collection of the MFA, it was attributed to Francesco Bassano and called "Deposition from the Cross." A painting bearing that attribution and title were exhibited at the Boston Museum and Gallery of Fine Arts on Tremont Street in 1841, 1844, and 1847. Moses Kimball founded the Boston Museum, which was open from 1841 until 1903. [3] Probably identical to the Bassano "Deposition from the Cross" recorded in Appleton's collection, Art Amateur 1880, p. 118.
Apollo in his Chariot
Luca Giordano
about 1685
Venus Giving Arms to Aeneas
Luca Giordano
1680–82
Formation III (Green Landscape)
Arthur Garfield Dove
about 1942
Portrait of Harvey S. Firestone, Jr.
Elizabeth Shoumatoff
1957
Orpheus Charming the Animals
Aelbert Cuyp
about 1640
Landscape with a Mill
Eugène Deshayes
1860
Restricted
Unidentified artist, Belgian, fourth quarter 18th century
Portrait of an Artist
Hyacinthe François Rigau y Ros, called Hyacinthe Rigaud
after 1711