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Painting Studio (Gashitsu), from the series An Assortment of Women's Customs (Fujin fûzoku zukushi)

Painting Studio (Gashitsu), from the series An Assortment of Women's Customs (Fujin fûzoku zukushi)

(Japanese, 1859–1920)
(Japanese)
1891 (Meiji 24)
Medium/TechniqueWoodblock print (nishiki-e); ink and color on paper
DimensionsVertical ôban; 35.9 x 24.1 cm (14 1/8 x 9 1/2 in.)
Credit LineGift of L. Aaron Lebowich
Accession numberRES.51.153
On View
Not on view
ClassificationsPrints
Provenance1951, gift of Louis Aaron Lebowich (b. 1880), Boston, to the MFA.
The First Army Advancing on Fengtienfu (Daiichigun Hôtenfu shingeki no zu)
The First Army Advancing on Fengtienfu (Daiichigun Hôtenfu shingeki no zu)
Ogata Gekkô
1894 (Meiji 27)
Illustration of Captain Osawa's Seven-man Suicide Squad from the Warship Yaeyama Pushing Forward in Rongcheng Bay (Yaeyamakan norikumi Ôsawa taiira shichimei no kesshitai Eijôwan ni funshin suru zu)
Illustration of Captain Osawa's Seven-man Suicide Squad from the Warship Yaeyama Pushing Forward in Rongcheng Bay (Yaeyamakan norikumi Ôsawa taiira shichimei no kesshitai Eijôwan ni funshin suru zu)
Ogata Gekkô
1895 (Meiji 28)
In the Second Army's Assault on Jinzhoucheng, Engineer Superior Private Onoguchi Tokuji, Defying Death, Places Explosives and Blasts the Gate of the Enemy Fort
In the Second Army's Assault on Jinzhoucheng, Engineer Superior Private Onoguchi Tokuji, Defying Death, Places Explosives and Blasts the Gate of the Enemy Fort
Ogata Gekkô
1895 (Meiji 28)
General Ôdera Attacking the Hundred Foot Cliff with All His Might (Ôdera shôgun zenryoku o furuite Hyakusekigai o shûgeki suru no zu)
General Ôdera Attacking the Hundred Foot Cliff with All His Might (Ôdera shôgun zenryoku o furuite Hyakusekigai o shûgeki suru no zu)
Ogata Gekkô
1895 (Meiji 28)
Fierce Street Battle at Niuzhuang (Gyûsô shigai gekisen)
Fierce Street Battle at Niuzhuang (Gyûsô shigai gekisen)
Ogata Gekkô
Forecast for the Year 1890 [of the Meiji Era] (Nijusannen no miraiki)
Forecast for the Year 1890 [of the Meiji Era] (Nijusannen no miraiki)
Ogata Gekkô
1883 (Meiji 16), May
Botanical Garden (Hana yashiki), from the series Beauties Compared to Flowers (Bijin hana kurabe)
Botanical Garden (Hana yashiki), from the series Beauties Compared to Flowers (Bijin hana kurabe)
Ogata Gekkô
1887 (Meiji 20)
a-c
Picture of the Great Naval Victory During the Sino-Japanese War (Nisshin sensô Nihon daishôri kaisen no zu)
Ogata Gekkô
1894 (Meiji 27), August
a-c
Sino-Japanese War: Japanese Military Might Captures Pyongyang (Nisshin sensô, Nissei Heijô shôhô zu)
Ogata Gekkô
1894 (Meiji 27)
a-c
Sino-Japanese War: Picture of the Great Victory at Fenghuangcheng (Nisshin sensô, Hôôjô daishôri no zu)
Ogata Gekkô
1894–95
Sino-Japanese War: Pursuing the Retreating Enemy at Jinzhoucheng (Nisshin sensô Kinshûjô tsuigeki no zu)
Sino-Japanese War: Pursuing the Retreating Enemy at Jinzhoucheng (Nisshin sensô Kinshûjô tsuigeki no zu)
Ogata Gekkô
1894 (Meiji 27)
a-c
Illustration of the Fall of Port Arthur (Ryojunkô kanraku no zu)
Ogata Gekkô
1894 (Meiji 27)