Skip to main content

Fruit and Vase of Flowers on a Ledge

(Italian (Lucchese), 1603–1681)
Medium/TechniqueOil on canvas
Dimensions53.6 x 78.1 cm (21 1/8 x 30 3/4 in.)
Credit LineErnest Wadsworth Longfellow Fund
Accession number39.42
On View
Not on view
ClassificationsPaintings
Collections
Description
The minute variations in the dusty skins of the figs and the mottled surfaces of the small apples likely indicate that Fruit and Vase of Flowers on a Ledge was painted from nature. The practice of scrutinizing the unique markings and imperfections of an actual object and attempting to recreate them on canvas was popularized by still life artists working in Italy in the late sixteenth century, most notably by Caravaggio. This later still life is attributed to the Tuscan painter, Pietro Paolini, who studied with one of Caravaggio’s followers. In addition to the botanical accuracy described above, the strong contrast of light and shade, the use and form of the vase, and the monochromatic background are all Caravaggesque. The painter artfully contrasts the more haphazard array of fruits and leaves strewn across the ledge with the relatively static arrangement of the flowers in the vase.
ProvenanceAnonymous collection, Turin. 1938, Matthiesen, Ltd., London; September 14, 1938, sold by Matthiesen to M. Knoedler and Co., New York (stock no. A 2057); 1939, sold by Knoedler to the MFA for $1,400 [see note 1]. (Accession Date: January 12, 1939).

NOTES:
[1] Accessioned as a work by Luis Meléndez.
Pietro da Cortona (Pietro Berrettini)
The Virgin and Child in Glory
Pietro Novelli (Il Monrealese)
The Confession
Pietro Longhi
about 1755
Formation III (Green Landscape)
Arthur Garfield Dove
about 1942
Goldfish
Gerrit Willem Dijsselhof
Self-Portrait
Victorine Meurent
about 1876
The Magnanimity of Lycurgus
Jean-Jacques François Le Barbier
1791
Madonna and Child
Barbara Longhi
Halt at the Spring
François Boucher
1765
Return from Market
François Boucher
1767
Conservation Status: After Treatment
Gustave Doré
about 1860–70