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The Little Convalescent
The Little Convalescent

The Little Convalescent

Eastman Johnson (American, 1824–1906)
about 1873–79
Medium/TechniqueOil on paperboard
Dimensions32.38 x 27.94 cm (12 3/4 x 11 in.)
Credit LineFrederick Brown Fund
Accession number40.90
On View
On view
ClassificationsPaintings
Collections
Description
During the 1870s, Johnson frequently visited his sister Harriet May and her family, who spent summers on a farm in Kennebunkport, Maine. He often used Harriet's children as models, capturing their carefree play. "The Little Convalescent" is probably a picture of Harriet reading to one of her children, who is sick in bed-his condition alluded to by the medicine bottles, thermometer, bell, and toothbrush in the background. While Harriet concentrates on the book, caring for her son's mind as well as his body, the little boy turns to look at the artist. Johnson painted a number of pictures of children reading or writing, to suggest they would grow up to be thoughtful, responsible adults. The best known of these depicts the boy Abraham Lincoln-who would serve as United States president during the Civil War-reading by firelight. "The Little Convalescent" is also one of several tender pictures of mothers nurturing their children that Johnson was inspired to paint after the birth of his only child in 1870. Johnson's fame as a genre painter rests not only on his quiet domestic scenes but also on his series of canvases depicting maple sugar production, corn husking, and cranberry harvesting. These were all quintessential New England rustic activities, and Johnson included children in most of the compositions. This text was adapted from Carol Troyen and Janet Comey, "Children in American Art" (Nagoya/Boston Museum of Fine Arts, 2007, in Japanese).
InscriptionsLower left: E.J-ProvenanceThe artist; Mrs. Eastman Johnson, his wife; with Eastman Johnson Sale, American Art Association, New York, no. 12, Feb. 26-27, 1907; W.B. Cogswell, Syracuse, New York, 1907; descended to the Misses F. Pearl and Elizabeth Browning, Syracuse, his granddaughters, by 1920; with Norman Hirschl, New York; to MFA, 1940, purchased for $500.
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Eastman Johnson
early 1860s
Fishermen Leaving for the Grand Banks
John Orne Johnson Frost
between 1922 and 1928
John Orne Johnson Frost
between 1922 and 1928
Winnowing Grain
Eastman Johnson
about 1873–79
Writing to Father
Eastman Johnson
1863
Self Portrait
Eastman Johnson
about 1885
Young Lady in Cauchoise Dress
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about 1829
The Farewell
Gilbert Stuart Newton
about 1826
Venice Landscape
John Henry Twachtman
1878
Study for Belshazzar's Feast
Washington Allston
1817
Thomas Kemper Davis
George Peter Alexander Healy
early 1830s