Skip to main content

Cephas Smith, Jr.

(American, 1774–1858)
about 1803
Medium/TechniqueOil on canvas
Dimensions106.04 x 80.33 cm (41 3/4 x 31 5/8 in.)
Credit LineA. Shuman Collection—Abraham Shuman Fund
Accession number1974.135
On View
Not on view
ClassificationsPaintings
Collections
Description

An itinerant portrait painter, William Jennys traveled throughout New England seeking commissions. In 1803, he was in Rutland, Vermont, where the prosperous attorney Cephas Smith, Jr., hired him to paint portraits of himself and his young wife and child [1974.136]. The portraits were among Jennys’s most ambitious works. Although he was known for small half-length likenesses, here he returned to a larger three-quarter-length format. These had been popular in the materialistic 1760s and 1770s because the bigger canvases allowed for the inclusion of furnishings, draperies, and other indications of wealth. Mr. Smith sits at his writing desk, pen in hand, demonstrating that he is a successful man of affairs.

This text was adapted from Carol Troyen and Janet L. Comey, Amerikakaigakodomo no sekai [Children in American art], exh. cat. (Nagoya, Japan: Nagoya/Boston Museum of Fine Arts, 2007).

ProvenanceAbout 1803, Mr. Cephas Smith, Jr. (1760-1815) and Mary Gove Smith (Mrs. Cephas Smith, Jr., 1775-1831), Rutland, Vermont. By 1955, descended in the family of the sitter to Harriet Chase Benedict (Mrs. Grenville Benedict, 1903-1984), Providence, R. I.; 1974, consigned by Harriet Chase Benedict to Childs Gallery, Boston; 1974, sold by Childs Gallery to the MFA. (Accession Date: March 13, 1974)
Jonathan Mayhew
Richard Jennys, Jr.
1774
John Quincy Adams
William Page
1838
William Lloyd Garrison
William Page
about 1844–47
Self Portrait
William Morris Hunt
1849
Head of a Girl
William Morris Hunt
1876–77
The Hurdy-Gurdy Boy
William Morris Hunt
1851
Great Bridge at Chioggia
Francis William Loring
1886–87
Sheep Pasture
William Morris Hunt
1857
Morning on the Loing at Moret
William Lamb Picknell
about 1895
William Hart
1886