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The White Hat

(French, 1725–1805)
about 1780
Medium/TechniqueOil on canvas
DimensionsOverall: 56.8 x 46.4cm (22 3/8 x 18 1/4in.)
Framed: 69.9 x 59.7 x 6.4 cm (27 1/2 x 23 1/2 x 2 1/2 in.)
Credit LineGift of Jessie H. Wilkinson—Jessie H. Wilkinson Fund, Grant Walker Fund, Seth K. Sweetser Fund, and Abbott Lawrence Fund
Accession number1975.808
On View
On view
ClassificationsPaintings
Collections
Description
Although Greuze was commissioned to paint many portraits, it’s unlikely that this painting depicts an actual person. The young woman, who appears at once innocent and seductive, is probably the product of the artist’s imagination. Greuze has dressed her in the more natural, déshabillé (“undressed”) fashion that was en vogue at the time. Queen Marie Antoinette began wearing white muslin dresses that did not require structural undergarments in the 1780s and after some initial scandal, this style became very popular.
ProvenanceThomas Dowse (b. 1772 - d. 1856), Cambridge, MA; bequeathed by Dowse to the Boston Athenaeum; 1975, sold by the Boston Athenaeum to the MFA. (Accession Date: March 10, 1976)
Presumed Portrait of Chevalier de Damery
Jean-Baptiste Greuze
about 1765
Portrait of a Child
Jean-Baptiste Greuze
Young Boy
Jean-Baptiste Greuze
Peasants in a Clearing near Arras
Jean-Baptiste-Camille Corot
Island of San Bartolomeo, Rome
Jean-Baptiste-Camille Corot
Young Woman Weaving a Wreath of Flowers
Jean-Baptiste-Camille Corot
about 1866–70
Turn in the Road
Jean-Baptiste-Camille Corot
about 1868–70
Souvenir of the Banks of the Saône
Jean-Baptiste-Camille Corot
about 1870
Twilight
Jean-Baptiste-Camille Corot
1845–60
Morning near Beauvais
Jean-Baptiste-Camille Corot
about 1855–65
Young Woman with a Love Letter
Jean-Baptiste Santerre