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Hammer Study

Jim Dine (American, born in 1935)
1962
Medium/TechniqueOil, wood, metal, and pencil on canvas
Dimensions152.7 x 127 cm (60 1/8 x 50 in.)
Credit LineM. Theresa B. Hopkins Fund
Accession number1984.216
On View
Not on view
ClassificationsPaintings
Description
Only two years before making this work, Dine was participating in "Happenings", performance-based art pieces orchestrated by the artist Alan Kaprow (1927-2006) as well as exhibiting constructions and collages at alternative galleries also frequented by Kaprow, Claes Oldenburg (see 1999.705), and George Segal (see 2004.246). By 1962 Dine was creating paintings that appeared more like drawings on canvas and incorporated real, everyday things, such as hammers and other tools. This work is part of a series that features tools familiar from Dine's youth working in his father's hardware store. Although Dine is an exceptional draughtsman, it is only in the form of a crude pencil outline that a complete hammer appears in this work. Dine's work shares some similarities with Pop art, including the appropriation of everyday objects, such as the hammer here, into art. However, the artist has disavowed allegiance with the Pop movement saying, "I'm not a Pop artist… I'm too subjective."
InscriptionsSigned on reverse, upper left: "Hammer Study" - Jim Dine - 1962ProvenanceThe artist; by 1982, with Ileana Sonnabend Gallery, New York; May 20,1982, with Sotheby's, Lot 187, New York, lot joint purchase, equal share ownership, Waddington Galleries, LTD, London and Mayor Gallery, London and Pace Gallery, New York; M. Theresa B. Hopkins Fund to MFA, Boston, 1984.
Copyright© Jim Dine
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