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Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29

Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched 1815–16, published 1921
Medium/TechniqueEtching, lavis, burnished aquatint, drypoint, and burin, fifth edition
DimensionsPlatemark: 24.2 x 35 cm (9 1/2 x 13 3/4 in.)
Sheet: 35 x 45 cm (13 3/4 x 17 11/16 in.)
Credit LineBequest of Eleanor A. Sayre
Accession number2002.526
On View
Not on view
ClassificationsPrints
ProvenanceSold by Weyhe Gallery, New York, to Eleanor A. Sayre (b. 1916 - d. 2001), Cambridge, MA; 2002, bequest of Eleanore Sayre to the MFA. (Accession Date: October 23, 2002)
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
No se puede mirar. (One can't look); from "Los Desastres de la Guerra" (Disasters of War), plate 26
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Banderillas de fuego. (Banderillas with firecrackers); from the series "Tauromaquia" (Bullfighting), plate 31
Francisco Goya y Lucientes
Drawn and etched about 1815; published 1816
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su carrocha. (The celebrated picador, Fernando del Toro, draws the fierce beast on with his pique); from the series "Tauromaquia" (Bullfighting), plate 27
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su carrocha. (The celebrated picador, Fernando del Toro, draws the fierce beast on with his pique); from the series "Tauromaquia" (Bullfighting), plate 27
Francisco Goya y Lucientes
Drawn and etched 1815–16; published 1816
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucientes
Drawn and etched about 1815–16; published 1816
Nada. Ello dirá. [Nada ello lo dice.] (Nothing. It says as much); from "Los Desastres de la Guerra" (Disasters of War), plate 69 (one of the "caprichos enfáticos")
Nada. Ello dirá. [Nada ello lo dice.] (Nothing. It says as much); from "Los Desastres de la Guerra" (Disasters of War), plate 69 (one of the "caprichos enfáticos")
Francisco Goya y Lucientes
Drawn and etched about 1814–15; published 1863
Farándula de charlatanes. (Charlatans' Show); from "Los Desastres de la Guerra" (Disasters of War), plate 75 (one of the "caprichos enfáticos")
Farándula de charlatanes. (Charlatans' Show); from "Los Desastres de la Guerra" (Disasters of War), plate 75 (one of the "caprichos enfáticos")
Francisco Goya y Lucientes
Drawn and etched about 1814–15; published 1863
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
El mismo vuelca un toro en la plaza de Madrid. (The same person [i.e. "Martincho"] makes a bull turn in the Madrid ring); from the series "Tauromaquia" (Bullfighting), plate 16
Francisco Goya y Lucientes
Drawn and etched 1815–16, printed about 1921
Será lo mismo. (It will be the same); from "Los Desastres de la Guerra" (Disasters of War), plate 21
Será lo mismo. (It will be the same); from "Los Desastres de la Guerra" (Disasters of War), plate 21
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
No se puede saber por que. [No se puede saber por qué.] (There is no way of telling why.); from "Los Desastres de la Guerra" (Disasters of War), plate 35
No se puede saber por que. [No se puede saber por qué.] (There is no way of telling why.); from "Los Desastres de la Guerra" (Disasters of War), plate 35
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Asi sucediió. [Así sucedió.] (This is how it happened); from "Los Desastres de la Guerra" (Disasters of War), plate 47
Asi sucediió. [Así sucedió.] (This is how it happened); from "Los Desastres de la Guerra" (Disasters of War), plate 47
Francisco Goya y Lucientes
Drawn and etched about 1810–14; published 1863
Cruel lástima.! (Cruel tale of woe.!); from "Los Desastres de la Guerra" (Disasters of War), plate 48
Cruel lástima.! (Cruel tale of woe.!); from "Los Desastres de la Guerra" (Disasters of War), plate 48
Francisco Goya y Lucientes
Drawn and etched about 1812–14; published 1863