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Woman in Genroku Style
Woman in Genroku Style

Woman in Genroku Style

Kawanabe Gyôsui (Japanese, 1868–1935)
Kokkeidô
Place of CreationJapan
Medium/TechniqueColor woodblock; ink and metallic pigment on card stock
DimensionsOverall: 13.8 x 8.8 cm (5 7/16 x 3 7/16 in.)
Credit LineLeonard A. Lauder Collection of Japanese Postcards
Accession number2002.3083
On View
Not on view
ClassificationsPostcards
ProvenanceLeonard A. Lauder Collection, Museum of Fine Arts, Boston, Fractional gift of Lauder (Accession date: March 20, 2002).
Young Man and Servant in Genroku Style
Young Man and Servant in Genroku Style
Kawanabe Gyôsui
Standing Beauty in Genroku Style with Cat
Standing Beauty in Genroku Style with Cat
Kawanabe Gyôsui
Envelope for the series Postcards Commemorating the Manchurian Incident, a Set of Ten Cards (Manshû Jihen kinen ehagaki, jûmai ichigumi) a supplement to the March issue of Shônen Kurabu (Shônen Kurabu sangatsugô furoku)
Envelope for the series Postcards Commemorating the Manchurian Incident, a Set of Ten Cards (Manshû Jihen kinen ehagaki, jûmai ichigumi) a supplement to the March issue of Shônen Kurabu (Shônen Kurabu sangatsugô furoku)
Suzuki Gyosui
about 1932
based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Kawanabe Kyôsai
So Hungry That Anything Tastes Good (Himojii toki no mazui mono nashi), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
So Hungry That Anything Tastes Good (Himojii toki no mazui mono nashi), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Kawanabe Kyôsai
Wives and Tatami Mats Are Best When New (Nyôbô to tatami atarashii ga yoi), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Wives and Tatami Mats Are Best When New (Nyôbô to tatami atarashii ga yoi), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Kawanabe Kyôsai
Nails in the Rice Bran (Nuka ni kugi), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Nails in the Rice Bran (Nuka ni kugi), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Kawanabe Kyôsai
One Hundred Ghost Stories (Hyaku monogatari), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
One Hundred Ghost Stories (Hyaku monogatari), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Kawanabe Kyôsai
A Gathering of Blind Men (Gunmô no zu), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
A Gathering of Blind Men (Gunmô no zu), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Kawanabe Kyôsai
Fishermen (Urabito), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Fishermen (Urabito), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Kawanabe Kyôsai
Hateful Things Are Feared by the World (Nikumare mono yo ni habakaru), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Hateful Things Are Feared by the World (Nikumare mono yo ni habakaru), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Kawanabe Kyôsai
Wind in the Ear of a Horse (Uma no mimi ni kaze), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Wind in the Ear of a Horse (Uma no mimi ni kaze), based on a print from the series One Hundred Pictures by Kyôsai (Kyôsai hyakuzu)
Kawanabe Kyôsai