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Image Not Available for Ars Pictoria: or an Academy Treating of Drawing, Painting, Limning, Etching. To which are Added XXXI. Copper Plates, Expressing the Choicest, Nearest, and most Exact Grounds and Rules of Symmetry.
Ars Pictoria: or an Academy Treating of Drawing, Painting, Limning, Etching. To which are Added XXXI. Copper Plates, Expressing the Choicest, Nearest, and most Exact Grounds and Rules of Symmetry.
Image Not Available for Ars Pictoria: or an Academy Treating of Drawing, Painting, Limning, Etching. To which are Added XXXI. Copper Plates, Expressing the Choicest, Nearest, and most Exact Grounds and Rules of Symmetry.

Ars Pictoria: or an Academy Treating of Drawing, Painting, Limning, Etching. To which are Added XXXI. Copper Plates, Expressing the Choicest, Nearest, and most Exact Grounds and Rules of Symmetry.

Arnold de Jode (Flemish (worked in England), 1638–active to 1666)
Abraham Bloemaert (Dutch, about 1564–1651)
Odoardo Fialetti (Italian, 1573–1638)
Agostino Carracci (Italian, 1557–1602)
Lodovico Carracci (Italian, 1555–1619)
Jacopo Palma il Giovane (Palma the Younger) (Italian (Venetian), about 1548–1628)
Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, 1503–1540)
Simone Cantarini (Italian (active in Pesaro and Bologna), 1612–1648)
Alexander Browne (English, active 1659–1706)
Arthur Tooker (English, 17th century)
William Battersby (English, 17th century)
1675
Place of PublicationLondon, England
Medium/TechniqueIllustrated book with 31 engravings
DimensionsOverall: 31.1 x 20.5 x 3 cm (12 1/4 x 8 1/16 x 1 3/16 in.)
Credit LineGift of Sylvester Rosa Koehler
Accession numberKBR92
On View
Not on view
ClassificationsIllustrated books
Description
London: Arthur Tooker and William Battersby, 1675
ProvenanceJohn [Wynn?], 1686[?]; E. Burt, October [17?]87; William Abbot, 1808; G. Knowles; John Grace Freeman, Battersea, 19 Sept 1859; Sylvester R. Koehler, Boston (1837-1900, first Curator of Prints at MFA), by whom given to MFA, October 20, 1898.