Bark cloth (maro)
early 20th century
Object PlaceTeluk Yos Sudarso (Humboldt Bay), Papua Province, Indonesia
Medium/TechniqueBark cloth, pigment
Dimensions130 x 64 cm (51 x 25 in.)
Credit LineGift of William E. and Bertha L. Teel
Accession number1991.1076
On View
Not on viewClassifications(not assigned)
Collections
Women in the Lake Sentani and Teluk Yos Sudarso areas traditionally produced maro, or cloths, from different kinds of bark, to which men applied earth pigment designs. Married women wore them as loin cloths, and maro were also displayed on mortuary structures. Additionally, Teluk Yos Sudarso area clans owned such cloths and draped them on the wall of men's houses. Their designs, some containing rows of nonfigural spirals, others incorporating fish, birds, and fauna, early attracted the admiration of Western visitors. Bark cloths are fragile, and few from this region in Euro-American collections pre-date the 1920s. In this freestyle painting of marine motifs on a tan background, which was probably part of a larger maro, the perspective seems to be from above, as though looking down into the water. A human figure grasps the tail of a central turtle-lizard creature, surrounded by a barbed sawfish and other fish. The circular forms with radiating lines suggest jellyfish. This cloth possibly was commissioned by Jacques Viot in 1929 from artists in the village of Tobati on Teluk Yos Sudarso.
Provenance1929, said to have been acquired in the Lake Sentani region of Indonesia by Jacques Viot (b. 1898 – d. 1973), Paris [see note]. André Lèfevre (d. 1963), Paris; December 13, 1965, posthumous Lèfevre sale, Hôtel Drouot, Paris, lot 145. 1983, sold by Wayne Heathcote (dealer), Darling Point, N.S.W., Australia, to William and Bertha Teel, Marblehead, MA; 1991, partial gift of William and Bertha Teel to the MFA; 2014, acquired fully with the bequest of William Teel to the MFA. (Accession Dates: January 22, 1992 and February 26, 2014)
NOTE: Early provenance was provided by the dealer at the time of the Teels’ purchase. In 1929, Jacques Viot signed a contract with Pierre Loeb, who ran the Galerie Pierre in Paris. Loeb paid Viot to travel and purchase Oceanic art for him. Viot commissioned bark cloths from local artists in the village of Tobati that year and sent them to Paris.
NOTE: Early provenance was provided by the dealer at the time of the Teels’ purchase. In 1929, Jacques Viot signed a contract with Pierre Loeb, who ran the Galerie Pierre in Paris. Loeb paid Viot to travel and purchase Oceanic art for him. Viot commissioned bark cloths from local artists in the village of Tobati that year and sent them to Paris.
late 19th century
late 19th–early 20th century
late 19th–mid 20th century
19th century
Artist Unidentified, Pacific Islander
mid to late 20th century
19th century
20th–mid 20th century