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Memorial pole (bisj)

20th century
Object PlacePapua New Guinea
Medium/TechniqueWood, pigment, vegetable fiber, beads, and feathers
Dimensions142.24 cm (56 in.)
Credit LineGift of William E. and Bertha L. Teel
Accession number1992.417
On View
Not on view
ClassificationsSculpture
Description
Asmat artists of New Guinea carved poles (bisj) as memorials to clan members killed during warfare. The poles were erected after successful counterattacks to avenge the deaths. These poles may be understood as canoes incorporating ancestral figures, which carried the spirits of clan members to the realm of the dead. The openwork projection at the top represents the canoe's exaggerated prow, but can also be interpreted as a phallus, alluding to male prowess. Large poles were set up outdoors and allowed to decay. Smaller examples, such as this one, were architectural elements in houses where men gathered for ceremonial and social activities.
ProvenanceMay 21, 1986, sold by Wayne Heathcote (dealer), New York, to William and Bertha Teel, Marblehead, MA; 1992, partial gift of William and Bertha Teel to the MFA; 2014, acquired fully with the bequest of William Teel to the MFA. (Accession Dates: June 30, 1992 and February 26, 2014)

Headdress (susiu)
Artist Unidentified, Pacific Islander
late 19th century
Mask
mid to late 20th century
20th century
Helmet mask
late 19th century
19th century
Yam cult head (yina)
Artist Unidentified, Pacific Islander
20th century
Male figure
20th century
Helmet mask
late 19th century
Hat
Artist Unidentified
20th century, 1950–2000
Feather headdress
Artist Unidentified
mid 20th century