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Inlaid Bowl

20th century
Object PlaceSolomon Islands
Medium/TechniqueWood, shell inlay
DimensionsOverall: 26.5 x 90.5 x 25.5 cm (10 7/16 x 35 5/8 x 10 1/16 in.)
Credit LineGift of William E. and Bertha L. Teel
Accession number1996.399
On View
On view
ClassificationsVessels
Description
The sea and its creatures have always played a predominant role in the life of the Solomon Islanders. Marine motifs on ceremonial objects such as bowls allude to various sea spirits, which can appear in either threatening or benevolent manifestations. Spirits in the shape of the highly prized bonito and the guiding frigate bird were traditionally seen as supportive, because the frigate bird leads fishermen to schools of bonito fish, which provide abundant food. Large ceremonial bowls stored in cult houses were brought out on festival occasions; families owned and used smaller bowls. The maker of this hollowed-out, horizontal bowl on a footed base carved the body as a swelling frigate-bird form. He blackened the surface and edged the rim with delicate shell inlays, which also appear as eyes on the animal-shaped handles. An upside-down frigate bird supports the projecting tail; a bird's head grasping a curved fish forms the front handle and is a common motif in bowls from this region.
ProvenanceJuly 31, 1990, sold by Hurst Gallery, Cambridge, MA to William and Bertha Teel, Marblehead, MA; 1996, partial gift of William and Bertha Teel to the MFA; 2014, acquired fully with the bequest of William Teel to the MFA. (Accession Dates: December 18, 1996 and February 26, 2014)
Mask
mid to late 20th century
Suspension hook
20th century
Female figure (nogwi)
19th–20th century
Carved face
Artist Unidentified, Pacific Islander
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Bonito Canoe model
Artist unknown, Pacific Islander
20th century, 1950–2000
Ceremonial Axe (o kono or bulaibi bunbut)
Artist Unidentified, Pacific Islander
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Male figure
20th century
Figure
early 20th century