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El amor y la muerte. (Love and Death); Plate 10 bound into "Los Caprichos"
El amor y la muerte. (Love and Death); Plate 10 bound into "Los Caprichos"

El amor y la muerte. (Love and Death); Plate 10 bound into "Los Caprichos"

Francisco Goya y Lucientes (Spanish, 1746–1828)
Unidentified artist, Spanish, 19th century
Drawn and etched 1797–98; published 1799
Place of PublicationMadrid, Spain
Medium/TechniqueEtching, burnished aquatint, and burin in bound set of eighty hand-colored etching and aquatints, with manuscript annotations
DimensionsOverall (each vol.): 23.5 x 17.8 x 1.2 cm (9 1/4 x 7 x 1/2 in.)
Other (Slipcase): 24.7 x 3.7 x 19.5cm (9 3/4 x 1 7/16 x 7 11/16in.)
Credit LineBequest of Eleanor A. Sayre
Accession number2002.496.10
On View
Not on view
ClassificationsPrints
ProvenanceUnidentified collector's mark bottom of first plate each volume (fragment of "M": perhaps Gustave-François Morin, Rouen 1809-1886, painter [see Lugt 1178]; see also Lugt 1850); Eleanor A. Sayre, Cambridge, MA; her bequest to MFA October 23, 2002.
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Bellos Consejos. (Fine Advice); Plate 15 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Bien tirada está. (It is nicely stretched); Plate 17 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Aquellos polbos. (That dust); Plate 23 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Fran.co Goya y Lucientes, Pintor. (Francisco Goya y Lucientes, Painter); Plate 1 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que viene el Coco. (The bogeyman is coming); Plate 3 bound into "Los Caprichos"
Que viene el Coco. (The bogeyman is coming); Plate 3 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
El si pronouncian y la mano alargan/ Al primero que llega. (They say "yes" and give their hand to the first who comes); Plate 2 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Nadie se conoce. (Nobody knows anybody, including himself); Plate 6 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Que se la llevaron. (They have carried her off!) Plate 8 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Tantalo. (Tantalus); Plate 9 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Muchachos al avío. (Lads Making Ready); Plate 11 bound into "Los Caprichos"
Muchachos al avío. (Lads Making Ready); Plate 11 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
A caza de dientes. (Out hunting for teeth); Plate 12 bound into "Los Caprichos"
A caza de dientes. (Out hunting for teeth); Plate 12 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Que sacrificio! (What a sacrifice!); Plate 14 bound into "Los Caprichos"
Francisco Goya y Lucientes
Drawn and etched 1797–98; published 1799