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Returning to the Shrine over the Floating Bridge on the 14th Day of the Gion Festival (Gion-e jûyokka ukihashi kankô no zu)

Returning to the Shrine over the Floating Bridge on the 14th Day of the Gion Festival (Gion-e jûyokka ukihashi kankô no zu)

(Japanese, 1836–1903)
Medium/TechniqueCopperplate etching; ink on paper
Dimensions8.1 × 12.2 cm (3 3/16 × 4 13/16 in.)
Credit LineWilliam Sturgis Bigelow Collection
Accession number11.45843.4
On View
Not on view
ClassificationsPrints
ProvenanceBy 1911, purchased by William Sturgis Bigelow (b. 1850–d. 1926), Boston [see note 1]; 1911, gift of Bigelow to the MFA. (Accession Date: January 19, 2005)

NOTES:
[1] Much of Bigelow's collection of Asian art was formed during his residence in Japan between 1882 and 1889, although he also made acquisitions in Europe and the United States. Bigelow deposited many of these objects at the MFA in 1890 before donating them to the Museum's collection at later dates.
Pictures of Annual Events Celebrated by the Nobility (Yûsoku gashô nenjû gyôji)
Pictures of Annual Events Celebrated by the Nobility (Yûsoku gashô nenjû gyôji)
Matsuda Rokuzan (Gengendô II)
Page 11
Album of Meiji-era Banknotes (Dajôkansatsu)
Matsuda Rokuzan (Gengendô II)
1868–9 (Meiji 1–2)
Miniature images (R to L, T to B): the Iroha Poem in Kanji (Mana iroha); the Iroha Poem in Hiragana (Kana iroha); the Iroha Poem in Katakana (Katakana iroha); Map of the Provinces of Japan (Dai Nihon kokuzu); Pictures of the Twelve Months (Jûni tsuki gashô); Eight Fine Views of Ômi (Ômi hachi shôkei); Genji Pictures (Genji ga)
Miniature images (R to L, T to B): the Iroha Poem in Kanji (Mana iroha); the Iroha Poem in Hiragana (Kana iroha); the Iroha Poem in Katakana (Katakana iroha); Map of the Provinces of Japan (Dai Nihon kokuzu); Pictures of the Twelve Months (Jûni tsuki gashô); Eight Fine Views of Ômi (Ômi hachi shôkei); Genji Pictures (Genji ga)
Matsuda Rokuzan (Gengendô II)
Miniature images of Chinese subjects (R to L, T to B): The Twenty-four Paragons of Filial Piety (Jûnishi kô zu); the Eight Immortals of the Winecup (Inchû hassen zu); 100 Variants of the Character for Long LIfe (Hyaku ju zu); the Orchid Pavilion (Rantei zu); the Thousand-character Classic (Senjimon)
Miniature images of Chinese subjects (R to L, T to B): The Twenty-four Paragons of Filial Piety (Jûnishi kô zu); the Eight Immortals of the Winecup (Inchû hassen zu); 100 Variants of the Character for Long LIfe (Hyaku ju zu); the Orchid Pavilion (Rantei zu); the Thousand-character Classic (Senjimon)
Matsuda Rokuzan (Gengendô II)
Calendar of Flowers in Tokyo (Tôkyô hana jireki)
Calendar of Flowers in Tokyo (Tôkyô hana jireki)
Matsuda Rokuzan (Gengendô II)
1871 (Meiji 4)
View of Sakura-no-banba at Kachôzan (Kachôzan Sakura-no-banba fûkei)
View of Sakura-no-banba at Kachôzan (Kachôzan Sakura-no-banba fûkei)
Matsuda Rokuzan (Gengendô II)
Newly Built "Eyeglasses Bridge" at Ôtani (Ôtani shinzô megane-kyô)
Newly Built "Eyeglasses Bridge" at Ôtani (Ôtani shinzô megane-kyô)
Matsuda Rokuzan (Gengendô II)
Panoramic View of Gion, the Double Teahouse, and Shimogawara (Gion Nikenjaya Shimogawara chôbô)
Panoramic View of Gion, the Double Teahouse, and Shimogawara (Gion Nikenjaya Shimogawara chôbô)
Matsuda Rokuzan (Gengendô II)
The Zuigu Hall at Kiyomizu Temple (Kiyomizu-dera Zuigudô)
The Zuigu Hall at Kiyomizu Temple (Kiyomizu-dera Zuigudô)
Matsuda Rokuzan (Gengendô II)
View of the Tadasu Shrine and the Tadasu River in Lower Kamo (Shimo Kamo Tadasu no yashiro Tadasugawa fûkei)
View of the Tadasu Shrine and the Tadasu River in Lower Kamo (Shimo Kamo Tadasu no yashiro Tadasugawa fûkei)
Matsuda Rokuzan (Gengendô II)
Scene of the Tsûten Bridge (Tsûtenkyô fûkei)
Scene of the Tsûten Bridge (Tsûtenkyô fûkei)
Matsuda Rokuzan (Gengendô II)
1857 (Ansei 4)
Scenery of Ryôan-ji Temple in Northern Kyoto (Rakuhoku Ryôan-ji fûkei)
Scenery of Ryôan-ji Temple in Northern Kyoto (Rakuhoku Ryôan-ji fûkei)
Matsuda Rokuzan (Gengendô II)