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The Adoration of the Magi
The Adoration of the Magi

The Adoration of the Magi

Cristofano di Michele Martini, called il Robetta (Italian, 1462–after 1534)
about 1510-1520
Medium/TechniqueEngraving
DimensionsSheet: 30.2 × 27.8 cm (11 7/8 × 10 15/16 in.)(trimmed within the platemark)
Credit LineGift of Rose-Marie and Eijk van Otterloo in honor of Malcolm Rogers
Accession number2014.1718
On View
Not on view
ClassificationsPrints
ProvenanceBetween the 1950s and 1980s, acquired by Samuel Josefowitz, Lausanne, Switzerland and Whitchurch, England; 2004, sold by Josefowitz to Eijk and Rose-Marie van Otterloo, Naples, Florida; 2014, gift of Eijk and Rose-Marie van Otterloo to the MFA. (Accession Date: October 29, 2014)
The Adoration of the Magi
The Adoration of the Magi
Cristofano di Michele Martini, called il Robetta
about 1510-1520
Hercules and the Hydra
Hercules and the Hydra
Cristofano di Michele Martini, called il Robetta
about 1510-1520
Two Muses
Two Muses
Cristofano di Michele Martini, called il Robetta
about 1502-1520
Allegory of Love
Allegory of Love
Cristofano di Michele Martini, called il Robetta
about 1510-1520
Allegory of Abundance
Allegory of Abundance
Cristofano di Michele Martini, called il Robetta
about 1510-1520
The Baptism of Christ
The Baptism of Christ
Cristofano di Michele Martini, called il Robetta
about 1510-1520
Mucius Scaevola
Mucius Scaevola
Cristofano di Michele Martini, called il Robetta
about 1500-1520
The Virgin and Child with the Infant St. John the Baptist and Three Angels
The Virgin and Child with the Infant St. John the Baptist and Three Angels
Cristofano di Michele Martini, called il Robetta
about 1500-1520
Adam and Eve with the Infants Cain and Abel (large plate)
Adam and Eve with the Infants Cain and Abel (large plate)
Cristofano di Michele Martini, called il Robetta
1520s
God Speaking to Cain
God Speaking to Cain
Cristofano di Michele Martini, called il Robetta
about 1500-1510
Allegory of Abundance
Allegory of Abundance
Cristofano di Michele Martini, called il Robetta
about 1510-1520
Cupid, seated
Cupid, seated
Niccolo Martinelli, called Il Trometta
late 16th century