Skip to main content
Advanced Search
Full of Hope Towards a Sparkling Future (Kibô no ôzora, mirai e no senkô), from the portfolio Hope- Aspiration in the Abstract

Full of Hope Towards a Sparkling Future (Kibô no ôzora, mirai e no senkô), from the portfolio Hope- Aspiration in the Abstract

(Japanese, born in 1945)
2012 (Heisei 24)
Medium/TechniqueWoodblock print; ink and color on paper
DimensionsHeight x width: 60 × 45 cm (23 5/8 × 17 11/16 in.)
Credit LineGift of the Tolman Collection, Tokyo
Accession number2012.458.2
On View
Not on view
ClassificationsPrints
Provenance2012, commissioned from the artist by Norman Tolman, Tokyo; 2012, gift of Norman Tolman to the MFA. (Accession Date: September 26, 2012)
Earth in Blue (2) (Aoi daichi [2])
Earth in Blue (2) (Aoi daichi [2])
Hasegawa Yûichi
1992 (Heisei 4)
The Color of Spring
The Color of Spring
Hasegawa Yûichi
2013 (Heisei 25)
Ko (Filial Piety)
Ko (Filial Piety)
Inoue Yûichi
1961 (Shôwa 36)
Vase
Vase
Hirano Yûichi
2006
Illustration of Sericulture at the Imperial Court (Kyûchû yôsan no zu)
Illustration of Sericulture at the Imperial Court (Kyûchû yôsan no zu)
Hasegawa Chikuyô
1888 (Meiji 21), November
Women Smoking Pipes by the Roadside
Women Smoking Pipes by the Roadside
Hasegawa Settan
Rat (Ne): Actors Ogino Senjo (Fujikawa Tomokichi III) as Masaoka and Fujikawa Kitsunosuke as Her Son Tsuruchiyo, from the series Twelve Signs of the Zodiac (Jûnishi no uchi)
Rat (Ne): Actors Ogino Senjo (Fujikawa Tomokichi III) as Masaoka and Fujikawa Kitsunosuke as Her Son Tsuruchiyo, from the series Twelve Signs of the Zodiac (Jûnishi no uchi)
Hasegawa Munehiro
1864 (Bunkyû 4/Genji 1), 3rd month
Kimino of the Ujiya as Yahagi no chôja Ushiwakamaru, with Mitsu as an Attendant (Tsukisoi), from the series Gion Festival Costume Parade (Gion mikoshi harai nerimono sugata)
Kimino of the Ujiya as Yahagi no chôja Ushiwakamaru, with Mitsu as an Attendant (Tsukisoi), from the series Gion Festival Costume Parade (Gion mikoshi harai nerimono sugata)
Hasegawa Toyokuni
1813 (Bunka 10)
Towers and Mansions at Kôrai Bridge (Kôraibashi yagura yashiki), from the series Customs of Osaka: Frivolous Songs Matched with Beauties (Naniwa fûzoku uwakiuta bijin awase no uchi)
Towers and Mansions at Kôrai Bridge (Kôraibashi yagura yashiki), from the series Customs of Osaka: Frivolous Songs Matched with Beauties (Naniwa fûzoku uwakiuta bijin awase no uchi)
Hasegawa Sadanobu I
about 1844–60 (Kôka–Ansei eras)
Spring View of Dôtonbori (Dôtonbori no shunkei), from the series Customs of Osaka: Frivolous Songs Matched with Beauties (Naniwa fûzoku uwakiuta bijin awase no uchi)
Spring View of Dôtonbori (Dôtonbori no shunkei), from the series Customs of Osaka: Frivolous Songs Matched with Beauties (Naniwa fûzoku uwakiuta bijin awase no uchi)
Hasegawa Sadanobu I
about 1844–60 (Kôka–Ansei eras)
Snow at Dawn at the Eastern Hall (Higashi Midô no gyôsetsu), from the series Customs of Osaka: Frivolous Songs Matched with Beauties (Naniwa fûzoku uwakiuta bijin awase no uchi)
Snow at Dawn at the Eastern Hall (Higashi Midô no gyôsetsu), from the series Customs of Osaka: Frivolous Songs Matched with Beauties (Naniwa fûzoku uwakiuta bijin awase no uchi)
Hasegawa Sadanobu I
about 1844–60 (Kôka–Ansei eras)
The Octopus Pine at Nakanoshima (Nakanoshima Tako no matsu), from the series Customs of Osaka: Frivolous Songs Matched with Beauties (Naniwa fûzoku uwakiuta bijin awase no uchi)
The Octopus Pine at Nakanoshima (Nakanoshima Tako no matsu), from the series Customs of Osaka: Frivolous Songs Matched with Beauties (Naniwa fûzoku uwakiuta bijin awase no uchi)
Hasegawa Sadanobu I
about 1844–60 (Kôka–Ansei eras)