Vase

In this piece Grotell demonstrates a firm technical command while allowing for uncontrolled reactions in the kiln. As a first layer, Grotell used Albany slip, a natural wet clay found near Albany, New York, used to produce a glossy brown color, over this she applied a Bristol glaze for the white surface by brush onto the damp unfired clay body in varying thicknesses to control the sizes of the anticipated crater bubbles. Areas for later glaze inlay were scraped away to expose the clay body. After firing, a second glaze, this one containing uranium oxide, was brushed onto the exposed areas and fired again to develop the bright orange color. “I am pleased that I accomplished something that is difficult,” Grotell said of this technique. “That was a difficult thing to do. But I kept on doing it just because it was difficult. And never any promise that it would come out.”