Skip to main content

Aurora Triumphing over Night

(French, 1732–1806)
about 1755-56
Medium/TechniqueOil on canvas
DimensionsOverall: 95.3 x 131.4 cm (37 1/2 x 51 3/4 in.)
Credit LineMuseum purchase with funds by exchange by contribution, and by exchange from a Gift of Laurence K. and Lorna J. Marshall
Accession number2013.62
On View
On view
ClassificationsPaintings
Collections
Description
The poet Homer called Aurora “rosy fingered.” Here Fragonard painted the goddess of the dawn literally sprinkling rose petals from the morning sky onto the sleeping figure of Night, in a scene whose gracious sensuality embodies the 18th-century French Rococo style. The composition’s horizontal format and raking perspective (we seem to look up at the figures from below) indicate that it originally served as an over-door decoration, most likely in a Parisian townhouse. The canvas once had a different shape, voluptuously curved to fit surrounding boiseries (wood moldings)—look closely and you can see the original scalloped edge and the canvas inserts added to square the corners in the 19th century, when the painting was transformed into an independent gallery picture.
ProvenanceMichel Ephrussi (b. 1844 – d. 1914), Paris. By 1906, Charles Sedelmeyer (b. 1837 - d. 1925), Paris; May 16-18, 1907, Sedelmeyer sale, Galerie Sedelmeyer, Paris, lot 201, sold for 138,000 fr. By 1914 until at least 1921, Charles Sedelmeyer, Paris. François Coty (b. 1874 – d. 1934), Paris; November 30-December 1, 1936, posthumous Coty sale, Galerie Charpentier, Paris, lot 20, sold for 91,000 fr. Private collection. November 25, 1971, anonymous (“collections du Docteur X…, du Prince Y…, et de divers Amateurs”) sale, Palais Galliera, Paris, lot 22, sold to a private collector; until 2013, by descent within the family; January 31, 2013, anonymous (“property from a private collection”) sale, Sotheby’s, New York, lot 84, to the MFA. (Accession Date: February 27, 2013)
The Good Mother
Jean-Honoré Fragonard
ca. 1777-1779
Mother and Child
Jean-Honoré Fragonard
1777-79
Three Men Shearing Sheep in a Barn
Jean-François Millet
about 1852
Place du Parvis, Notre Dame, Paris
Jean-François Raffaëlli
Peasants in a Clearing near Arras
Jean-Baptiste-Camille Corot
Farm Beside an Old Road
Jean Charles Cazin
late 1880s
Island of San Bartolomeo, Rome
Jean-Baptiste-Camille Corot
Young Woman Weaving a Wreath of Flowers
Jean-Baptiste-Camille Corot
about 1866–70
Turn in the Road
Jean-Baptiste-Camille Corot
about 1868–70
Souvenir of the Banks of the Saône
Jean-Baptiste-Camille Corot
about 1870