Grand Duchess Alexandra Pawlowna (?)
Pierre Adolphe Hall
(Swedish, 1739–1793)
Augustin Ritt
(German, active in Russia and France, 1765–1799)
about 1775
Medium/TechniqueWatercolor and gouache on ivory
Dimensions7.6 cm (3 in.) diameter
Credit LineGift of the heirs of Bettina Looram de Rothschild
Accession number2015.101
On View
Not on viewClassificationsMiniatures
Collections
NOTES:
[1] Nathaniel Rothschild, Notizen über einige meiner Kunstgegenstände (Vienna, 1903), p. 120, cat. no. 298; and Inventar über die in den Nathaniel Freiherr von Rothschild'schen Nachlass gehörigen, in dem Palais in Wien, IV. Bezirk, Theresianumgasse Nr. 14 befindlichen Kunstgegenstände und Einrichtungsstücke (Vienna, 1906), p. 410, no. 223.
[2] With the Anschluss, or annexation of Austria to Nazi Germany in March, 1938, the possessions of Alphonse and Clarice de Rothschild were seized and expropriated almost immediately by Nazi forces. This miniature appears in a Nazi-generated inventory of 1939 as no. AR (Alphonse Rothschild) 1105f: "Miniatur, kreisrund, Dame mit blauem Kleid, graues Haar, Schosshündchen, Samtrahmen, braunrot." Katalog beschlagnahmter Sammlungen, inbesondere der Rothschild-Sammlungen in Wien, Verlags-Nr. 4938, Staatsdruckerei Wien, 1939, Privatarchiv, reproduced in Sophie Lillie, "Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens" (Vienna, 2003), p. 1039.
[3] This miniature was catalogued at the Central Depot, and given over to the Federal Monuments Office in 1941. Card no. AR 1105f, Bundesdenkmalamt, Vienna, available on the website of the Zentral Depot Karteien online. It was probably among the many works of art stored elsewhere by the Nazis, which were moved to the abandoned salt mines of Alt Aussee in Austria, to be kept safe from wartime bombing. Allied troops recovered the looted artwork at the end of World War II, and established collecting points where the art could be identified for restitution to its rightful owners. In 1947 Clarice de Rothschild visited the salt mines at Alt Aussee, where she was able to identify the crates of works of art from her family’s collection, facilitating its return shortly thereafter.