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Diana at the Bath

(German, about 1574–about 1648)
1610
Medium/TechniquePunched engraving
DimensionsSheet: 20.6 × 24.3 cm (8 1/8 × 9 9/16 in.)
Credit LineJames M. and Melinda A. Rabb Acquisition Fund
Accession number2017.4041
On View
Not on view
ClassificationsPrints
Description
Although he is known as one of the great goldsmiths of the seventeenth century, Daniel Kellerthaler also made a small number of works on paper. Among them, the most important and fascinating by far are his "punch prints," made up of tiny engraved dots, which, when printed, resemble nothing so much as a photographic negative. The origin and purpose of these prints is a mystery, and we are not even sure if Kellerthaler himself intended them to be printed. It’s entirely possible that a later admirer of the engraved plates was dazzled by the artist’s virtuosity and had some impressions printed. Whatever their origin, these prints both convey the courtly grace of Kellerthaler’s compositions and have a bold appeal to a contemporary eye.
InscriptionsVerso, in graphite, directly beneath collector's mark: 1a Verso, in graphite, on lower margin: 48
ProvenancePossibly Georg Christian Freund (b. 1821 – d. 1900); Julius Hofmann (b. 1864 – d. 1913; Lugt 1264), Vienna; May 8-12, 1922, posthumous Hofmann sale, Boerner, Leipzig, lot 654. May 25, 2017, anonymous sale (auction 109, Druckgraphik des 15.–19. Jahrhundert), Galerie Bassenge, Berlin, lot 5118, to the MFA. (Accession Date: October 11, 2017)
Ceres and Venus in a Bacchanal
Daniel Kellerthaler
1607
Ceres and Venus in a Bacchanal
Daniel Kellerthaler
1607
Hans Kellerthaler
Hans Kellerthaler
1589
Hans Kellerthaler
1589
Hans Kellerthaler
1589
Hans Kellerthaler
1589
Jan Lutma, the Younger
Pieter Cornelisz. Hooft
Jan Lutma, the Younger
Jan Lutma, the Younger
Jan Lutma, the Younger