A View of Saint Pantaleon in Cologne
Jan van der Heyden
(Dutch, 1637–1712)
Medium/TechniqueOil on panel
Dimensions39.4 × 58.4 cm (15 1/2 × 23 in.)
Credit LinePromised gift of Susan and Matthew Weatherbie, in support of the Center for Netherlandish Art
Accession numberL-T 198.3.2022
On View
Not on viewClassificationsPaintings
Collections
NOTES:
[1] As the view of various buildings in a city, on panel, 15 x 23. According to C. Hofstede de Groot, Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 8 (London, 1927), p. 381, cat. no. 174, this painting is identical with the panel in the 1796 sale of Elizabeth Hooft.
[2] Attributed in the catalogue to J. van der Heyde[n] and A. van de Velde; the painting was attributed to both artists through its sale in 1893. The title page of the 1796 auction catalogue notes that the seller was the widow of Wouter Valckenier (b. 1705 - d. 1784).
[3] John Smith, Catalogue Raisonné if the Works of the Most Eminent Dutch, Flemish, and French Painters, vol. 5 (London, 1834), cat. no. 106, "now in the collection of Mademoiselle Hoffman [sic], Haarlem." When this painting was sold in 1893, it was identified as the Hoofman picture. Maria Hoofman inherited parts of her collection from her father, Jacob Hoofman (d. 1799), and following her death, much of the collection was sold en bloc to the dealer Nieuwenhuys.
[4] Lent to the Royal Academy, London, in 1876 (as "Street View", 16 x 23 in.), according to Algernon Graves, A Century of Loan Exhibitions (London, 1914), vol. 4, p. 1473. Hofstede de Groot, 1927 (as above, n. 1), p. 387, cat. no. 194, identifies the Mildmay picture with paintings by Van der Heyden sold at auction in London in 1852, 1876, and 1877. It is not possible to identify any of these with present painting, especially since Mildmay was already the owner by 1876.
[5] In the exhibition catalogue "Meisterwerke aus den Sammlungen des Fürsten von Liechtenstein" (Lucerne, Kunstmuseum, June 5 - October 31, 1948), p. 44, cat. no. 185, the painting is said to have been acquired at the 1893 Bingham Mildmay auction. It was inventory no. 909 in the Liechtenstein collection.
[6] According to Peter Sutton, Jan van der Heyden (exh. cat., Bruce Museum, 2006), p. 156, cat. no. 21, he lent it to the Birmingham City Museum and Art Gallery between 1962 and 1967.
[7] Exhibition of Dutch and Flemish Paintings (H. Shickman Gallery, New York, November 1968), cat. no. 3.
[8] That Shickman was the purchaser is according to Sutton 2006 (as above, n. 6).
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