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Pages 34-35
Metamorphosis naturalis, ofte historische beschryvinghe van den oirspronck, aerd, eygenschappen, ende vreemde veranderinghen der wormen, rupsen, maeden, vliegen, witjens, byen, motten ende dierghlijcke dierkens meer; niet uyt eenighe boecken, maer alleenelijck door eygen ervanentheyd uytgevonden, beschreven ende na de konst afgeteyckent
Pages 34-35

Metamorphosis naturalis, ofte historische beschryvinghe van den oirspronck, aerd, eygenschappen, ende vreemde veranderinghen der wormen, rupsen, maeden, vliegen, witjens, byen, motten ende dierghlijcke dierkens meer; niet uyt eenighe boecken, maer alleenelijck door eygen ervanentheyd uytgevonden, beschreven ende na de konst afgeteyckent

Johannes Goedaert (Dutch, 1617–1668)
Johannes de Mey (Dutch, 1617 – 1678)
Jacques Fierens (Dutch, active 1642 – 1669)
1662 - 1669
Medium/TechniqueIllustrated book with hand-colored etchings
DimensionsOverall: 15.2 × 10.2 × 3.8 cm (6 × 4 × 1 1/2 in.)
Credit LineGift of George S. Abrams in memory of Charlotte and Arthur Vershbow
Accession number2020.405.3
On View
Not on view
ClassificationsIllustrated books
Description
These three small volumes represent a major achievement in seventeenth-century science. The product of many years of close observation, Joannes Goedaert’s Metamorphosis Naturalis was the first important study of the morphological transformation undergone by insects as they grow from larvae into fully grown beetles, flies, moths, and butterflies. Meticulously observed and carefully depicted, the bugs and beetles in Goedart’s volumes are a virtual catalogue of the insect life of the seventeenth-century Netherlands. A decades-long labor of love, Goedaert’s project was ultimately of Europe-wide significance, earning a broad audience — and even an English translation — among the nascent scientific community of the era. But the project was also one infused with religious significance for Goedaert, who saw the work as a form of careful observation of the mysteries of Creation. Goedaert’s devotion to the project was complete: he did the research, wrote the text, drew and etched the illustrations, and ultimately self-published the book. He even, as with this example, arranged hand coloring of special copies.
ProvenanceJohan Frans van Bemmelen (b. 1859– d. 1956), Leiden. About 1990s, sold by Antiquariaat Forum, Utrecht, to Lodewijk Houthakker, Amsterdam; about 1990s, sold by Houthakker to George S. and Maida Abrams, Newton, MA; 2020, gift of George S. Abrams to the MFA. (Accession Date: December 16, 2020)
Landscape with Cottages
Johannes Goedaert
XXIV Emblemata, dat zijn Zinne-beelden
Godefridus Johannes Hoogewerff
1932