Working proof for Fire

In a year-long process, artist Josephine Halvorson explored the intricate multistep process of creating a sophisticated colour print with Wingate Studio and master printer James Pettengill in New Hampshire. The relationship between the artist and master printer has a rich history, critical to the foundations of printmaking itself. The master printer’s expertise and technical knowledge of certain processes are critical to guiding the actualisation of an artist’s work, both physically and aesthetically. “Fire” is Halvorson’s first etching and her painterly background, affinity for everyday objects, and close in-person observation is evident in each step of the process. The wood-burning stove is located in the printmaking workshop and is a Jotl, a brand that Halvorson’s parents sold during her childhood. She experimented with a variety of techniques including: drypoint, soft ground etching, aquatint, spit bite, sugar lift, modifying the copper plates repeatedly. After each modification, an image, or proof was printed, its visual effects analysed, and subsequently revised.

This photograph of the stove, printed on an inkjet printer, served as a starting point for later studies. After observing the fire and the stove in multiple sessions, Halvorson used this photograph and others to render her drawing as she worked toward the final proof before the edition.