Skip to main content
Image Not Available for Article 49 from the Polystyrene Memorial Maritime Museum
Article 49 from the Polystyrene Memorial Maritime Museum
Image Not Available for Article 49 from the Polystyrene Memorial Maritime Museum

Article 49 from the Polystyrene Memorial Maritime Museum

Duke Riley (American, born in 1972)
2020–2021
Medium/TechniqueSalvaged painted plastic in wood and glass case
DimensionsFramed: 16.8 × 29.2 × 29.2 cm (6 5/8 × 11 1/2 × 11 1/2 in.)
Credit LineWilliam E. Nickerson Fund and American Decorative Arts Curators Fund
Accession number2021.582
On View
On view
ClassificationsPlastics
Description
Duke Riley combines folklore, tattoo-inspired aesthetics, and found items to articulate a highly personal artistic aesthetic as well as a personal library of symbols and meanings. Riley’s work is born from, and thus inextricably highlights, the environmental impact of plastic waste on the seashore. Riley incorporates tattoo-like markings of wildlife, including whales and fish, that gesture to maritime histories and traditions of painting and mark-making related to seafaring. These symbols also allude to the ways in which plastic waste threatens these animals’ habitats.
Provenance2021, sold by Praise Shadows, Brookline, MA to the MFA. (Accession Date: September 30, 2021)
U-Line
Duke Riley
2011
"Smug" clock
Belle Kogan
designed 1934, made 1934–1939
"Luau" pitcher and lid
Minerware, Inc.
1950–65
Residential lug soup bowl
Russel Wright
Designed 1953; made about 1953–60
Group shot: 2010.537.1-2
Belle Kogan
mid–1950s
Group shot: 2010.537.1-2
Belle Kogan
mid–1950s
"Boonton" divided vegetable bowl with cover
Boonton Molding Company
1948–late 1950s
Group shot: 2010.539, 542.1-2, 546
Boonton Molding Company
1948–late 1950s
Group shot: 2010.540, 541a-b, 545a-b
Belle Kogan
1948–late 1950s
Group shot: 2010.540, 541a-b, 545a-b
Belle Kogan
1948–late 1950s