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Image Not Available for Brooch
Brooch
Image Not Available for Brooch

Brooch

Vincent Ferrini (American, 1933 – 2020)
1964
Object PlaceRochester, New York
Medium/TechniqueSilver, enamel (cloisonné)
DimensionsHeight x width: 6 × 6 × 0.6 cm (2 3/8 × 2 3/8 × 1/4 in.)
Credit LineGift of Heidi Ferrini in memory of Vincent Ferrini
Accession number2021.795
On View
Not on view
ClassificationsJewelry / Adornment
Description

This brooch was both made by Boston-area Silversmith Vincent Ferrini in 1964. Born in Brockton, Ferrini studied silversmithing with Joseph L. Sharrock at the School of the Museum of Fine Arts, Boston (graduating with honors in1955), then pursed graduate work with Hans Christensen at the Rochester Institute of Technology's legendary School for American Craftsman (graduating in1964). Ferrini then taught at Boston University’s School for the Arts for 20 years before opening Goldsmiths 3 in Concord, Massachusetts in 1983 in partnership with fellow silversmiths John Reynolds and Bob Fairbanks, The brooch was made as part of Ferrini's graduate thesis work in RIT in 1964 in which he explored "Enameling on Silver" as a direct challenge to his mentor, Christensen, who felt that it could not be done successfully. Ferrini proved otherwise, combining Christensen's sleek Danish aesthetic with his own tendency towards baroque opulence and rich, textured surfaces. Ferrini skillfully featured two different enameling techniques on the piece: champlevé and plique-a-jour.

The MFA owns no works by this important local silversmith. His work in enamel expands the MFA's collection of Boston enamels, a long tradition that dating back to the Arts and Crafts movement of the turn of the 20th century, including works by frank Gardner Hale, Elizabeth Copeland, Rebecca Cauman, and others.

Provenance2020, by inheritance to the artist’s wife, Heidi Ferrini, Genoa, Italy [see note]; 2021, gift of Heidi Ferrini to the MFA. (Accession date: December 15, 2021)

NOTE: Vincent Ferrini created this object for his thesis project at Rochester Institute of Technology in 1964. He lent it to that institution from 1964 until 2011, after which he housed it in his collection in Scituate, MA.