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Image Not Available for Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1

Modo con que los antiguos españoles cazaban los toros á caballo en el campo. (The way in which the ancient Spaniards hunted bulls on horseback in the open country); from the series "Tauromaquia" (Bullfighting), plate 1

(Spanish, 1746–1828)
Drawn and etched about 1815–16; printed: late 19th to early 20th century
Medium/TechniqueEtching, burnished aquatint, and drypoint, with added roulette; posthumous printing
DimensionsSheet: 31.3 x 45.5 cm (12 5/16 x 17 15/16 in.)
Credit LineGift of Francis Bullard
Accession numberM21239.1
On View
Not on view
ClassificationsPrints
InscriptionsU.r.in burin: 1
ProvenanceFrancis Bullard (b. 1862 - d. 1913), Boston; January 1, 1910 gift to the MFA
Date acquired, 1/1/1910 [exact to month]
Image Not Available for Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; late 19th century printing
Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Mort de Pepe Illo (Death of Pepe Illo) [Second Composition]; rejected plate [E] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Image Not Available for Otro Modo de cazar á pie(Another way of hunting on foot) ( from the series "Tauromaquia" (Bullfighting), plate 2
Otro Modo de cazar á pie(Another way of hunting on foot) ( from the series "Tauromaquia" (Bullfighting), plate 2
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed: late 19th to early 20th century
Image Not Available for Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo, from the series "Tauromaquia" (Bullfighting), plate 3
Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo, from the series "Tauromaquia" (Bullfighting), plate 3
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed: late 19th to early 20th century
Image Not Available for Capean otro encerrado(They play another with the cape in an enclosure.) from the series "Tauromaquia" (Bullfighting), plate 4
Capean otro encerrado(They play another with the cape in an enclosure.) from the series "Tauromaquia" (Bullfighting), plate 4
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed: late 19th to early 20th century
Image Not Available for El animoso moro Gazul es el primero que lanceó toros en regla.(The spriited Moor Gazul is the first to spear bulls according to the rules ); from the series "Tauromaquia" (Bullfighting), plate 5
El animoso moro Gazul es el primero que lanceó toros en regla.(The spriited Moor Gazul is the first to spear bulls according to the rules ); from the series "Tauromaquia" (Bullfighting), plate 5
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed: late 19th to early 20th century
Image Not Available for Los moros hacen otro capeo en plaza con su albornoz. (The Moors make a different play inthe ring calling the bull with their burnous.) From the series Tauromaquia (The Bullfight)plate 6.
Los moros hacen otro capeo en plaza con su albornoz. (The Moors make a different play inthe ring calling the bull with their burnous.) From the series Tauromaquia (The Bullfight)plate 6.
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed: late 19th to early 20th century
Image Not Available for Origen de los arpones o banderillas.(Oribin of the harpoons or banderillas) from the series "Tauromaquia" (Bullfighting), plate 7
Origen de los arpones o banderillas.(Oribin of the harpoons or banderillas) from the series "Tauromaquia" (Bullfighting), plate 7
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed: late 19th to early 20th century
Image Not Available for Cogida de un moro estando en la plaza(A Moor caught by the bull in the ring.) from the series "Tauromaquia" (Bullfighting), plate 8
Cogida de un moro estando en la plaza(A Moor caught by the bull in the ring.) from the series "Tauromaquia" (Bullfighting), plate 8
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed: late 19th to early 20th century
Image Not Available for Un caballero español mata un toro despues de haber perdid el caballo.(A Spanish notle kills a bull after he has lost his horse.) ; from the series "Tauromaquia" (Bullfighting), plate 9
Un caballero español mata un toro despues de haber perdid el caballo.(A Spanish notle kills a bull after he has lost his horse.) ; from the series "Tauromaquia" (Bullfighting), plate 9
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed: late 19th to early 20th century
Image Not Available for Carlos V. lanceando un toro en la plaza de Valladolid.(Carlos V spearing a bull in the Valladolid plaza) Tauromaquia (The Bullfight), plate 10
Carlos V. lanceando un toro en la plaza de Valladolid.(Carlos V spearing a bull in the Valladolid plaza) Tauromaquia (The Bullfight), plate 10
Francisco Goya y Lucientes
Drawn and etched about 1815–16; printed: late 19th to early 20th century