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Mariano Ceballos, alias el Indio, mata el tot desde su caballo. (Mariano Ceballos, called "el Indio", kills the bull from horseback); from the series "Tauromaquia" (Bullfighting), plate 23

Mariano Ceballos, alias el Indio, mata el tot desde su caballo. (Mariano Ceballos, called "el Indio", kills the bull from horseback); from the series "Tauromaquia" (Bullfighting), plate 23

(Spanish, 1746–1828)
Drawn and etched about 1815–16
Medium/TechniqueEtching and burnished aquatint; working proof
DimensionsPlatemark: 24.2 x 35 cm (9 1/2 x 13 3/4 in.)
Sheet: 31.2 x 38.8 cm (12 5/16 x 15 1/4 in.)
Credit LineGift of Miss Ellen T. Bullard
Accession number25.1174
On View
Not on view
ClassificationsPrints
ProvenanceKatherine Eliot Bullard (1866-1920), Boston; Ellen T. Bullard (d. 1959); Boston; gift to MFA November 1925
Las mugeres dan valor. (The women give courage); from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal consequences of the bloody war in Spain with Bonaparte. And other emphatic caprices [Disasters of War], plate 4.
Las mugeres dan valor. (The women give courage); from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal consequences of the bloody war in Spain with Bonaparte. And other emphatic caprices [Disasters of War], plate 4.
Francisco Goya y Lucientes
Drawn and etched about 1811-1812
El de la royona. (Nanny's Boy); Caprichos 4
El de la royona. (Nanny's Boy); Caprichos 4
Francisco Goya y Lucientes
1797–98
A caza de dientes. (Out hunting for teeth); Caprichos 12
A caza de dientes. (Out hunting for teeth); Caprichos 12
Francisco Goya y Lucientes
1797–98
Ya tienen asiento. (They've already got a seat); Caprichos 25
Ya tienen asiento. (They've already got a seat); Caprichos 25
Francisco Goya y Lucientes
1797-98
Las rinde el sueño. (Sleep overcomes them); Caprichos 34
Las rinde el sueño. (Sleep overcomes them); Caprichos 34
Francisco Goya y Lucientes
1797–98
Brabisimo! (Bravissimo!); Caprichos 38
Brabisimo! (Bravissimo!); Caprichos 38
Francisco Goya y Lucientes
1797–98
Y aun no se van! (And still they don't go!); Caprichos 59
Y aun no se van! (And still they don't go!); Caprichos 59
Francisco Goya y Lucientes
1797–98
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Si amanece; nos Vamos. (When day breaks, we will be off); Caprichos 71
Francisco Goya y Lucientes
1797–98
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucientes
Drawn and etched about 1815–16
Y son fieras. (And they are wild beasts!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 5.
Y son fieras. (And they are wild beasts!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 5.
Francisco Goya y Lucientes
Drawn and etched about 1811-12
Esto es la verdadero (This is the Truth) ("Disasters of War", no. 82)
Esto es la verdadero (This is the Truth) ("Disasters of War", no. 82)
Francisco Goya y Lucientes
1814–15
Bárbaros! (Barbarians!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 38.
Bárbaros! (Barbarians!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 38.
Francisco Goya y Lucientes
Drawn and etched about 1810–14