Jannis Kounellis

Kounellis was born in Piraeus, Greece in 1936.[3] Early on Kounellis lived in Greece during the Second World War and a civil war that lasted for ten years until he moved to Rome in 1956.

From the years of 1960–1966, Kounellis went through a period of only exhibiting paintings. In some of his first exhibitions, Kounellis began stenciling numbers, letters, and words onto his canvases often reflecting advertisements and signs seen on the street. In 1960 he began to introduce found sculptural objects such as actual street signs into his work, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and created a performance in his studio to demonstrate himself literally becoming one with his painting. This newfound convergence of painting, sculpture, and performance was Kounellis' way out of traditional art. By 1961 he began to paint on newspaper to reflect his feelings towards modern society and politics.[4] In 1963, Kounellis introduced found objects in his paintings, among them live animals but also fire, earth, burlap sacks, gold. He replaced the canvas with bed frames, doorways, windows or simply the gallery itself. Kounellis' work from the 1980s, which also consisted of sculptures and performances using unusual materials, traveled all over Europe. In 1974 Jannis Kounellis performs with Edward Kienholz, Wolf Vostell and other artists in Berlin at the ADA – Aktionen der Avantgarde.[5] His work has become integral to numerous renowned, international museums' collections.[6]

(02/21/2017) Retrieved from: https://en.wikipedia.org/wiki/Jannis_Kounellis