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G. Ricordi & Co., Milan

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Aleardo Villa

about 1900

Atto 1; Cavaradossi kissing Tosca

Atto 1; Cavaradossi kissing Tosca

Leopoldo Metlicovitz

Atto 1; Cavaradossi painting while the sacristan looks on

Atto 1; Cavaradossi painting while the sacristan looks on

Leopoldo Metlicovitz

Atto 1o; Angelotti, an escaped political prisoner, takes refuge in a side chapel.

Atto 1o; Angelotti, an escaped political prisoner, takes refuge in a side chapel.

Leopoldo Metlicovitz

Atto 1o; Inside the Church

Atto 1o; Inside the Church

Leopoldo Metlicovitz

Atto 1; Scarpia offering holy water to Tosca

Atto 1; Scarpia offering holy water to Tosca

Leopoldo Metlicovitz

Atto 2a; Scarpia offering his hand to Tosca

Atto 2a; Scarpia offering his hand to Tosca

Leopoldo Metlicovitz

Atto 2a; Tosca hovering over the tortured Cavaradossi

Atto 2a; Tosca hovering over the tortured Cavaradossi

Leopoldo Metlicovitz

Atto 2o; One of Scarpia's henchmen delivering news

Atto 2o; One of Scarpia's henchmen delivering news

Leopoldo Metlicovitz

Atto 2o; Tosca with knife after stabbing Scarpia

Atto 2o; Tosca with knife after stabbing Scarpia

Leopoldo Metlicovitz

Atto 3o; Tosca and the dead Cavaradossi alone on top of the Castel Sant'Angelo

Atto 3o; Tosca and the dead Cavaradossi alone on top of the Castel Sant'Angelo

Leopoldo Metlicovitz

Atto IIIa; Cavaradossi in front of the firing squad

Atto IIIa; Cavaradossi in front of the firing squad

Leopoldo Metlicovitz