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Munakata Shikô

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Artist's Signature and Dedication, from the portfolio Aizenbon

Artist's Signature and Dedication, from the portfolio Aizenbon

Munakata Shikô

1946 (Shôwa 21)

Cat under a Tree, by a Stream with Fish

Cat under a Tree, by a Stream with Fish

Munakata Shikô

1963 (Shôwa 38)

Cornflowers (Yagurumabana no saku), from the series Floral Variations (Bandafu)

Cornflowers (Yagurumabana no saku), from the series Floral Variations (Bandafu)

Munakata Shikô

1935 (Shôwa 10)

Cover of the portfolio Aizenbon: Prints by Munakata (Munakata hanga Aizenbon)

Cover of the portfolio Aizenbon: Prints by Munakata (Munakata hanga Aizenbon)

Munakata Shikô

1946 (Shôwa 21)

Crossing the Mountain (Yamagoshi no saku), from the series The Story of the Cormorant (Utô hangakan)

Crossing the Mountain (Yamagoshi no saku), from the series The Story of the Cormorant (Utô hangakan)

Munakata Shikô

about 1961 (Shôwa 36) impression; block carved in 1938 (Shôwa 13)

Restricted: For reference only; 2001.180.2

The Deities of the Tanni-shô (In Homage to Yanagi Sôetsu)

Munakata Shikô

about 1950

Restricted: For reference only; 2001.180.2

The Deities of the Tanni-sho (In Homage to Yanagi Soetsu)

Munakata Shikô

about 1950

The Hawk Woman (Taka no onna)

The Hawk Woman (Taka no onna)

Munakata Shikô

1955 (Shôwa 30), February 8

Hiroshige's Blue: The Color of Melancholy (Kanashimi no iro)

Hiroshige's Blue: The Color of Melancholy (Kanashimi no iro)

Munakata Shikô

about 1950s

Japanese Cherry Blossoms (Yamatozakura no saku), from the series In Praise of Shôkei, the Kiln of Kawai Kanjirô (Shôkei shô hangakan)

Japanese Cherry Blossoms (Yamatozakura no saku), from the series In Praise of Shôkei, the Kiln of Kawai Kanjirô (Shôkei shô hangakan)

Munakata Shikô

1945 (Showa 20) design, printed about 1952 (Showa 27)

The Night Visit (Yadoi no saku), from the series The Story of the Cormorant (Utô hangakan)

The Night Visit (Yadoi no saku), from the series The Story of the Cormorant (Utô hangakan)

Munakata Shikô

1959 (Shôwa 34) impression; block carved in 1938 (Shôwa 13)

Number 1, Maitreya, the Buddha of the Future, with Upturned Face (Miroku gyôgan), from the portfolio Aizenbon

Number 1, Maitreya, the Buddha of the Future, with Upturned Face (Miroku gyôgan), from the portfolio Aizenbon

Munakata Shikô

1946 (Shôwa 21)