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Drawings by Goya

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Nude Woman Reclining Against a Rock
Nude Woman Reclining Against a Rock
Francisco Goya y Lucientes
1824–25
La resignacìon (Resignation); Sheet 33 Album E (Black Border Album 33)
La resignacìon (Resignation); Sheet 33 Album E (Black Border Album 33)
Francisco Goya y Lucientes
1816–20
Bearded Woman With Child. Esta Muger fue retratada en Napoles por José Ribera o el Españoleto, por los años de 1640 (This Woman Was Painted in Naples by Jusepe Ribera, called lo Spagnoletto, about the year 1640). Album E (Black Border Album), number indecipherable [7 ?]
Bearded Woman With Child. Esta Muger fue retratada en Napoles por José Ribera o el Españoleto, por los años de 1640 (This Woman Was Painted in Naples by Jusepe Ribera, called lo Spagnoletto, about the year 1640).
Album E (Black Border Album), number indecipherable [7 ?]
Francisco Goya y Lucientes
1816–20
Aesop
Aesop
Francisco Goya y Lucientes
about 1778
Pedro Romero Killing a Bull that He Has Subdued. Preparatory drawing for the etching, Tauromaquia, plate 30 (Pedro Romero matando á toro parado)
Pedro Romero Killing a Bull that He Has Subdued.
Preparatory drawing for the etching, Tauromaquia, plate 30 (Pedro Romero matando á toro parado)
Francisco Goya y Lucientes
about 1816
Andar sentado á pie y a Cavallo (To go along seated, on foot, and on horseback), Sheet 10 from Album G (Bordeaux Album I)
Andar sentado á pie y a Cavallo (To go along seated, on foot, and on horseback), Sheet 10 from Album G (Bordeaux Album I)
Francisco Goya y Lucientes
1824–28
De todo sirven [se rien] (Used for Everything; All Purpose) Crossed over inscription: No se alquilan (Not for hire) Sheet 28 from a Bordeaux Album (Journal-Album G)
De todo sirven [se rien] (Used for Everything; All Purpose) Crossed over inscription: No se alquilan (Not for hire)
Sheet 28 from a Bordeaux Album (Journal-Album G)
Francisco Goya y Lucientes
1824–28
Francisco Goya (Self Portrait ?)
Francisco Goya (Self Portrait ?)
Francisco Goya y Lucientes
about 1783
Woman Holding Up Her Dying Lover, Doouble-sided drawing from Album B (Madrid Sketchbook, 35 (recto of 36) On verso: Couple Conversing on the Paseo
Woman Holding Up Her Dying Lover,
Doouble-sided drawing from Album B (Madrid Sketchbook, 35 (recto of 36)
On verso: Couple Conversing on the Paseo
Francisco Goya y Lucientes
1794–97
Couple Conversing on the Paseo (page 36, verso of double-sided drawing from the Madrid Sketchbook (Journal-Album B)
Couple Conversing on the Paseo (page 36, verso of double-sided drawing from the Madrid Sketchbook (Journal-Album B)
Francisco Goya y Lucientes
1794–97
Man looking for fleas in his shirt
Man looking for fleas in his shirt
Francisco Goya y Lucientes
1824–25
The custody of a criminal does not call for torture, Preparatory drawing for the etching "La seguridad de un reo no exige tormento"
The custody of a criminal does not call for torture, Preparatory drawing for the etching "La seguridad de un reo no exige tormento"
Francisco Goya y Lucientes
1810–14