Skip to main content
Advanced Search
Esto es peor. (This is worse); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 37.
Esto es peor. (This is worse); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 37.

Esto es peor. (This is worse); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 37.

Francisco Goya y Lucientes (Spanish, 1746–1828)
Drawn and etched about 1811-12
Medium/TechniqueEtching, touched and rubbed with black chalk; working proof
DimensionsPlatemark: 15.7 x 20.8 cm (6 3/16 x 8 3/16 in.)
Sheet: 22 x 31.2 cm (8 11/16 x 12 5/16 in.)
Credit Line1951 Purchase Fund
Accession number51.1660
On View
Not on view
ClassificationsPrints
InscriptionsRecto: upper right in graphite: 37; Verso, center, in black chalk: el de chinchon (possibly by Goya)Provenance1863, sold by Valentín Carderera y Solano (b. 1796–d. 1880), Madrid, to Sir William Stirling Maxwell (b. 1818–d. 1878), Keir House, Scotland; 1878, by inheritance to his son, Brigadier General Archibald Stirling (b. 1867–d. 1931), Keir House; 1931, by inheritance to his son, Lieutenant Colonel William Joseph Stirling (b. 1911–d. 1983), Keir House; September 13, 1951, sold by William Joseph Stirling, through Colnaghi & Co. and Philip Hofer (b. 1898–d. 1984), Cambridge, MA, to the MFA. (Accession Date: September 13, 1951)
Lo merecia. (He deserved it); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 29.
Lo merecia. (He deserved it); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 29.
Francisco Goya y Lucientes
Drawn and etched about 1813
Esto es la verdadero (This is the Truth) ("Disasters of War", no. 82)
Esto es la verdadero (This is the Truth) ("Disasters of War", no. 82)
Francisco Goya y Lucientes
1814–15
Margarita of Austria, Queen of Spain, on Horseback
Margarita of Austria, Queen of Spain, on Horseback
Francisco Goya y Lucientes
1778
Isabel de Borbón, Queen of Spain, on Horseback
Isabel de Borbón, Queen of Spain, on Horseback
Francisco Goya y Lucientes
1778
Aesop, the Fabulist
Aesop, the Fabulist
Francisco Goya y Lucientes
1778
Banderillas with Firecrackers (Banderillas de fuego) Tauromaquia 31
Banderillas with Firecrackers (Banderillas de fuego)
Tauromaquia 31
Francisco Goya y Lucientes
1815
Lo que puede un Sastre! (What a tailor can do!); Caprichos 52
Lo que puede un Sastre! (What a tailor can do!); Caprichos 52
Francisco Goya y Lucientes
1797–1798
Aesop, the Fabulist (Recto) Balthasar Carlos (Verso)
Aesop, the Fabulist (Recto) Balthasar Carlos (Verso)
Francisco Goya y Lucientes
1778
Estragos de la Guerra. (Ravages of War); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 30.
Estragos de la Guerra. (Ravages of War); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 30.
Francisco Goya y Lucientes
about 1811-12
Extraña devocion! (Strange devotion!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 66.
Extraña devocion! (Strange devotion!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 66.
Francisco Goya y Lucientes
Drawn and etched about 1814–15
No saben el camino. (They do not know the way); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 70.
No saben el camino. (They do not know the way); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 70.
Francisco Goya y Lucientes
Drawn and etched about 1814–15
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Pepe Illo haciendo el recorte al toro. (Pepe Illo making the pass of the "recorte"); from the series "Tauromaquia" (Bullfighting), plate 29
Francisco Goya y Lucientes
Drawn and etched about 1815–16