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Image Not Available for Populacho. (Rabble); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 28.

Populacho. (Rabble); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 28.

(Spanish, 1746–1828)
Drawn and etched about 1820–23; whole series first published posthumously 1863
Medium/TechniqueEtching, drypoint, burin, and sulfur tint; posthumous trial proof
DimensionsPlatemark: 17.7 x 22 cm (6 15/16 x 8 11/16 in.)
Sheet: 26.1 x 35 cm (10 1/4 x 13 3/4 in.)
Credit LineMuseum purchase with funds by exchange from the bequest of W. G. Russell Allen
Accession number1973.732.28
On View
Not on view
ClassificationsPrints
Inscriptionsu.l. engraved: 28(lightly printed); u.r. within pm. in graphite: 28; b.c. within pm. in graphite: Populacho.
ProvenanceCharles Blanc; bought for 20 pounds from Colnaghi, April 1863 by William Stirling, Keir (later Stirling-Maxwell); Archibald Stirling; Mr. and Mrs. Philip Hofer, Cambridge, MA; purchased from R. M. Light, Boston, June 12, 1974 (original vote June 13, 1973).
Image Not Available for No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
No se puede saber por qué. (There is no way of telling why); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 35.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Image Not Available for Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Esta no lo es menos. (This is no less so); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 67 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Image Not Available for Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Faràndula de charlatanes. (Charlatans' Show); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 75 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Image Not Available for Ni por esas. (Neither do these); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 11.
Ni por esas. (Neither do these); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 11.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Image Not Available for No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
No se convienen. (They do not agree); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 17.
Francisco Goya y Lucientes
Drawn and etched about 1810–14; whole series first published posthumously 1863
Image Not Available for Bien te se está. (It serves you right); from "Los Desatres de la Guerra" (Disasters of War), plate 6, mounted in a bound album.
Bien te se está. (It serves you right); from "Los Desatres de la Guerra" (Disasters of War), plate 6, mounted in a bound album.
Francisco Goya y Lucientes
Drawn and etched about 1811-12; this set printed about 1862; whole series first published posthumously 1863
Qué alborato es este? (What is this hubbub?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 65 (one of the "caprichos enfáticos").
Qué alborato es este? (What is this hubbub?); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 65 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Image Not Available for Que locura! (What madness!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 68 (one of the "caprichos enfáticos").
Que locura! (What madness!); Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos [Disasters of War], plate 68 (one of the "caprichos enfáticos").
Francisco Goya y Lucientes
Drawn and etched about 1814–15; whole series first published posthumously 1863
Disparate de Tontos (Fool's Folly) from the Disparates series
Disparate de Tontos (Fool's Folly) from the Disparates series
Francisco Goya y Lucientes
Drawn and etched, 1816-19, printed about 1877
Image Not Available for Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed late 19th century
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Un cavalier espagnol brisant des 'rejoncillos' avec l'aide des chulos. (A Spanish mounted knight breaking short spears with the help of assistants); rejected plate [A] for the series "Tauromaquia" (Bullfighting)
Francisco Goya y Lucientes
Drawn and etched 1815–16; printed 1876
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Blind Man Tossed on the Horns of a Bull (A VEUGLE ENLEVE SUR LES CORNES D'UN TAUREAU)
Francisco Goya y Lucientes
1800–04